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Thursday, December 15, 2011
Paper Assignment #1
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Peace
The Great Rooted Bed
Slaughter in the Hall
Wednesday, December 14, 2011
Odysseus Strings His Bow
Portents Gather
Penelope and Her Guest
The Beggar-King of Ithaca
Wednesday, December 7, 2011
Stranger at the Gates
Father and Son
The Prince Sets Sail for Home
The Loyal Swineherd
Wednesday, November 23, 2011
Ithaca at Last
The Cattle of the Sun (or Odysseus' Style is Cramped)
The Kingdom of the Dead
Tuesday, November 22, 2011
The Bewitching Queen of Aeaea
Thursday, November 17, 2011
In The One-Eyed Giant's Cave
Monday, November 14, 2011
A Day for Songs and Conquests
Phaeacia's Halls and Gardens
The Princess and the Stranger
Odysseus--Nymph and Shipwreck
Wednesday, October 5, 2011
The King and Queen of Sparta
Menelaus (the red haired king, as Homer is sure we know) exemplifies the stranger-talk in the introduction. However, he is also described as dear to Zeus. Which, then, does Zeus like better: Menelaus, or the strangers?
How many times will Homer repeat the same things? This is only the fourth book, and I've heard quite about about how Agamemnon is dead. It seems that Homer wants you to read the Iliad, because he's quite proud of it.
Is Helen married to Menelaus? I'm quite confused. She's rather frank, though, if you look at 4.162. Goodness! ... Or rather, not.
Odysseus seems to have endeared himself to many people. At this point, I'd rather like to meet him--four chapters without a single word from the poor man. I wonder why Athena is so partial to him--was it explained? Will it be? Is it just a fact that a reader must accept? Was it from an event in The Iliad, one that Homer did not cover in the summaries in The Odyssey?
Helen drugs the wine! They're sad to think of their lost family, friends, and fellow warriors. However, I don't think the best way to dissolve anger (4.245). Even if someone were to die in front of you, the description says, you would not cry, nor, I'm guessing, even be sad (4.249-251). There are better ways to cheer someone up, ways that are founded more with good ethics. Homer speaks about it in a way that makes it seem really great; he praises her as Zeus' daughter. There are better ways to be joyful, but once again, I'm referring to being a Christian, and this is a fictional book, and I can't change it, so maybe I should chill out for a second. But still--when has drugging anyone ever been good, except in medical situations?
"Dawn with her rose-red fingers" ... again.
4.359 overweening
Everyone is quite long-winded.
"Have you seen my dad?"*
"Yeah, so, this one time in Egypt..." An hour passes. "Then he told me your dad is on an island! Weird, right?"
Gods are stupid... again. They make hardly anything easy. Proteus of Egypt--that Old Man of the Sea who never lies--is betrayed by his own daughter. Proteus is keeping Menelaus on the island because he didn't sacrifice to all the gods while he was in Egypt, and he needs to go back and re-do it so he can go home. This is like keeping debtors in jail so they can pay off their debt (like so many parables). Then Eidothea instructs Menelaus and his men to disguise themselves as seals in a plot to trick Proteus. I know, it makes it quite a bit more exciting, a transforming god and men in sealskin... but betrayal is not the answer. Then they can ask these all-knowing gods--who don't know when a seal is really a king--if people are alive across the sea. Somehow, too, I disagree with them telling of everyone's fate to whomever asks. The gods' logic is undeniable, like so many California girls.
4.610: "How long must you weep? Withering tears, what good can come of tears?" I refer to Matthew 6:25-34. Yus! Biblical connections!
Now the suitors are plotting, as Eurycleia and I foretold. And she feels bad for keeping secrets from Penelope. I suppose it's not good to always be hiding the truth from people (that Telemachus left), but he asked her not to tell so she wouldn't die of grief, as she seems in danger of doing. In this situation, it seems alright.
The Mentor confusion resurfaces: Athena's poser-hood is problematic. Athena also cares for Penelope again by sending that phantom. It does tell her Telemachus will be safe, however, it's not incredibly caring in that it won't say anything about Odysseus. If his whereabouts are known, why won't anyone say and reassure Telemachus and Penelope? This seems heartless. Surely there are easier ways than winging about like an eagle, dropping cryptic signs and making everyone sail about the high seas. The phantom even refuses to say anything of Odysseus, saying, "It's wrong to lead you on with idle words" (4.942). This is so confusing. These gods and their whims are selectively kind, and it's frustrating.
*It's a reference to Finding Nemo in Flushed Away... remember?
King Nestor Remembers
Then Telemachus acts shy about asking Nestor about his father. Athena yells at him about it, and I quite agree. If he's there to discover Odysseus, and quickly so he can return to his mother and protect her from the suitors, why is he suddenly scared? Perhaps there should be more character development. Does Telemachus have a habit of getting cold feet? From where does that phrase even come?
Athena prayed to Poseidon. Is that allowed? Can gods pray to other gods? If he can be far away and miss it when he is tricked, how does he hear the prayers? Jesus prayed to God, but that's different, because he's omni-everything. This Greek god situation needs to be straightened out.
It really doesn't make sense for Telemachus to leave his mother and his home. I agree with his housekeeper from the second book: the suitors will plot and plan in his absence. He could have easily sent out a messenger on a boat (♪) to discover those same things which he wants to find out. Maybe the messenger would not have had the same response as 'godlike Telemachus.'
Upon some thought, though, it was rather kind of him not to tell his mother. When she does find out, she's heartbroken and she collapses. He obviously cares about her well-being, and it seems to make more sense that Telemachus stay at home to protect her. Or perhaps, since she's a stranger to somebody, Zeus has got it covered.
3.314: squadron
Clytemnestra. I read the name--do you know anything about her? The name sounds familiar.
Athena wants the best for Telemachus, but then she turns into an eagle and leaves. There's quite a bit of eagling going on here... stay tuned.
Pretty true to the title of the book, King Nestor remembered. Now I know what happens in The Iliad, not that the introduction and even the few previous books didn't give that away, either. There's little to be wondered with Homer's fame and his habit of repetition.
Telemachus Sets Sail
"God be with him" referred to Zeus, which was strange. The idea of those gods being gods, those who created and care for you, is unsettling. I mentioned that when I talked about the gods in the introduction. I wouldn't want Zeus to be with me. Besides, if I met someone I didn't know--also known as a stranger--he'd probably protect them! What would be the use of that?
Your MOM: Antinous is making mother insults! He says Penelope "played it fast and loose," which does not sound very nice (2.97). However, although apparently Telemachus is a family man, he seems to pass over these insults. I know Knox said he had some mother issues, but I feel like his sense of honor should have responded to Antinous' rude speech on her merits.
The translation says 'scot-free' quite a bit (2.159, 2.169, and others). Have you ever translated the epic? Does it actually translate like that?
What was that air-fight bit about? I'm certain I would have had to dissect this sign had I been in class with Miss Pfaff. I didn't really want to think about it, so I let Halitherses have his turn, and I'm going to pass over it. I guess I just don't understand how eagles fighting in the air means what it meant.
Halitherses, I am told, outperforms all men of his time (2.177). He also predicted the exact story of The Odyssey, which is pretty convenient: you'd think people would have remembered that. I guess this is the sort of poetic license that writers can get away with in 'the classics.' Nowadays, it would never fly.
2.211: codger.
I wrote about Mentor in a paper sophomore year. He was an excellent chap, but Athena is a poser. She's always dressing herself up as other people, and her disguise as Mentor even causes confusion later on. I don't know that this is necessarily a good thing. It's dishonest. Perhaps it disguises the shock factor of Athena being, well, a goddess, but don't you think that Telemachus having a goddess on his side--and not just any goddess, but Athena--would make the suitors listen? Hiding herself under Mentor's familiar face didn't make them pay attention. Athena could solve many problems for Telemachus if she showed up, kicked some tail (like so much Donkey Kong), and then helped him find Odysseus. This is like Glinda knowing all along that tapping her heels would make Dorothy go back to Kansas. How unfair was that, really? A prime example of this confusion lies in book two, lines 434-439:
Back she went to King Odysseus' halls and there
she showered sweet oblivion over the suitors,
dazing them as they drank, knocking cups from hands.
No more loitering now, their eyes weighed down with sleep,
they rose and groped through town to find their beds.
Previously, I thought that the epics rhymed and had precise meter and what-not. They do... in Greek. Now, as I read it in English, it's just a story in a different format. I never really thought about it until I started reading it. However, you do notice how Homer reuses phrases, because of the case and syllables and such.
Athena Inspires the Prince
In the first book of The Odyssey, Homer takes a personal look at the gods' interests and their inclusion in everyday life. They choose favorites--Athena openly shows her affection for Odysseus, and Zeus speaks on the traveler's great qualities. Athena also likes his son, and she visits Telemachus in the first book of The Odyssey. He is attached to his name and his family, and is enraged with Penelope's suitors. She, in turn, is distressed with their unwelcome advances. Athena shows her support for the whole family.
However, no where in the first book do readers even meet Odysseus. It merely sets the stage for his infamous tale; it is the exposition, the precursor to hearing of the odyssey. Being a poet and perhaps a performer, maybe Homer wrote it this way--briefly outlining Odysseus' tale through Athena--to capture the attention of his ancient audiences.
It's difficult to imagine the epic as it would have been performed, and also astounding, as it's so very long. At first I wondered if audiences would have been amused, as I am, but I recalled that The Odyssey is fraught with drama and would have been taken very seriously: Athena's pride, Zeus' favor, Telemachus' anger, Penelope's grief. It's serious business.
The Introduction
At first, this comment was merely about the essay, but it also applies to the epic: it takes quite a long time to read; it must have taken ages to write. Another mentioned theory comes from my wordplay there--some people think many wrote it over time. I think it was Homer, and he wrote it down, because only Cam Jansen would be able to memorize the whole Odyssey.
There was speculation that, if Homer performed, he improvised quite a bit and slipped in his regularly-used adjectives where they fit. This way it would be more creative, because apparently, writing ruined the oral bards' talents at improvisation.
Another interesting point is that, factually, Homer had no idea what he was talking about. The map in his mind and the map of the world don't match up that well, and the palace was all over the place... and this is where poetic license fits in again.
Knox did mention Shakespeare's The Tempest. He says both books were written in the same evaluating manner, despite one being about a shipwreck and the other being about traveling. I remember thinking, as I read this, that he was pulling a lot of this stuff from... uh... nowhere. Shakespeare and Homer were writers. I don't think they were planning on farming everywhere they look or wrote about. They like to describe and use vivid imagery. It's nice that Bernard Knox likes to credit them with having many interests, or something, but I think they liked to be flowery in their language. It engages people. It makes it not boring. People who think Homer and Shakespeare are boring... are boring. Okay, that was general statement. But speaking of Shakespeare, it's totally not hard to read.
Then, in a sudden change of heart, the word 'voyager' is described as 'relationship between host and guest.' (Whedon calls that a 'companion'...) But really, it is better described as travelers who must avail of the kindness of others on their journey. There aren't bed-and-breakfasts every ten miles when you live in ancient Greece. It's tough to travel. Thus, people need to look out for strangers.
Also, apparently, xeinios = Zeus = protector of strangers. This is totally illogical. If you are one person, and you are the only one who ever has a point of view in the entire world, then this makes sense. Then Zeus takes care of everyone else. But this is not how it goes, and so Zeus has to be taking care of EVERYONE. Not everyone knows each other--in fact, most people don't. So Zeus has to protect... everyone. It's a strange, general way to talk about things, it doesn't make sense, and I don't like it. If Odysseus approaches someone, neither of them know each other, and they're both strangers to each other. Zeus has to protect both of them, then. WHICH DOESN'T EVEN MAKE ANY SENSE. He might as well be called Zeus, protector of every single person. But he's not. Because that's GOD.
Guests receive gifts! That's pretty cool. They can be picky, though--beggars CAN be choosers, at least where Zeus is concerned. (Look at the word 'choosers.' GROSS.) Odysseus refuses immortality and two proposals of marriage. That shows strong bonds of family love.
"The sirens would have kept him forever also, but dead" (pg 31). Thanks, Knox.
Speaking of the dead, Odysseus travels down there, and it's pretty terrible! It's all gray and tired and sad! Everyone hates it. THIS IS RIDICULOUS. JESUS. is not. More on this later.
Also, on page thirty-three, Knox says 'constant vigilance,' which is an obvious Harry Potter reference.
My idea of a hero is not a liar. I suppose, as was mentioned before, that he deceived to protect from one-eyed giants ("Isn't that a smelly kind of cheese?"). However, deceit shouldn't be a valued trait when it comes to heroes. (He's also spoken of as a 'persuasive speaker,' or a liar... coughobamacough.)
Odysseus is also very proud of his social position, which seems to me to be very much a Jane Austen approach, or perhaps she had a very Homer-type view. Odysseus demands respect, just as Lady Catherine does. Respect is good where respect is due, and I'm sure he's quite respectable. However, I don't like the traits laid out here for a leader. They don't appear to be very God-pleasing... however, their gods were people like Zeus and Aphrodite, who aren't entirely wholesome, either. SPEAKING OF...
For example, Zeus gives over Troy. Hera gives him three cities in exchange... then seduces him. It's an everyday routine. Messing with mortals in the morning, a little seducing before teatime, end the day with a burning, hypocritical rage, and we're set. It's easy to see that sinful man made up these gods. Gods are fickle. (This next sentence is exactly what I have written in my notes...) OMG THE TRINITY!
I like that Homer makes up this stuff, though. It sort of proves my point. Knox mentions how one translator didn't like the story, so he changed a few words, and voila. The gods were different. They're figments of imagination. They're fun to learn about, but they have very few godlike traits: they can change ships to stone. They live on a magical mountain. They can change their appearance. Did they save damned humanity from eternal death? NO. Lame.
It also outlines how Telemachus wasn't too kind to his mother. This seems over-analyzed: it's just how Homer wrote it. I don't think he psychoanalyzed every character and gave Telemachus deep, rebellious feelings towards his mother. Homer probably just wanted a beefy story. I do.
Penelope is sneaky, and also kind of a wench.
In conclusion of the introduction, no one really knows why Homer did what he did. It gives us plenty to think about, but much of it seems rather made-up. Also, truly, the introduction gives so much away, which is sad.
Wednesday, September 7, 2011
Black and White Makes Your Color Artwork Dynamic
Thursday, September 1, 2011
Freshman Convocation Address at Hillsdale
Sent to you by teacon7 via Google Reader:
By Brittany Baldwin
As you will soon discover, if you haven't already, Dr. Arnn likes to pick on students. So, as he has given me a 7 minute slot on stage, I have to get him back. Just a little bit. I have a sister who's now a Sophomore here, and when she was visiting the college, we went out to eat, and we ran into Dr. Arnn there. I told him my sister was visiting the college, and he said, "
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The Odyssey
Meanwhile, I'm going to try to find a sweet article by C.S. Lewis, which has currently evaded my grasp. It's called "Bluspels and Flalansferes: A Semantic Nightmare," and is in the book Selected Literary Essays (1969, ed. by Walter Hooper). Maybe the library has that book. If you have to go to the library to get the Odyssey, see if you can find the Lewis thing too. It's sweet.
A quick question for your comments: what makes something "literature," as opposed to just "fiction" ? What do you think?
Monday, August 29, 2011
Something to think about....
Sent to you by teacon7 via Google Reader:
New York Times editor Bill Keller came up with a series of questions about religion that he is asking presidential candidates, an inquisition necessary in order to ferret out, among other things, which ones doubt the doctrines of evolution, the equivalence of all religions, and that there is a higher law than religion, namely, secular law. Anthony Sacramone discusses these questions and even answers them. He then counters with "The Sacramone Questionnaire for Nontheists":
1. Do you think that anyone who believes in the supernatural is delusional? If so, do you believe they should be treated medically? Do you believe they should be allowed to adopt children?
2. Do you think anyone who believes in six-day special creation should ipso facto be barred from holding public office?
3. Do you believe the religious beliefs of historical figures should be eradicated when discussing them in schools? For example, that Louis Pasteur was a devout Catholic who prayed the Rosary daily?
4. Do you believe that the religious faith of those responsible for the birth of modern science—Galileo, Copernicus, Robert Boyle, Isaac Newton, Gregor Mendel, George LeMaitre (father of the theory of the big bang), Jesuit priests too numerous to mention, et al.—should be eradicated when discussing them in schools?
5. Do you believe that it should be noted that the rise of modern science occurred in the context of a civilization that was still explicitly Christian when teaching either European history of the history of science?
6. Do you think homeschooling should be illegal, as it is in some European countries?
7. Do you believe vaccines are a factor in the rise of autism cases? Do you believe parents should be allowed to opt out of vaccine programs?
8. Do you believe that global warming/climate change demands we de-industrialize?
9. Do you believe churches and all religious institutions should be taxed?
10. Do you believe that there is such a thing as life unworthy of life? Explain.
11. Do you believe assisted suicide and euthanasia should be made legal either on a state-by-state basis or by federal fiat?
12. Do you believe infanticide should be made legal? If not, when is a baby a human being protected by the rights any other human being enjoys?
13. Is there any point when an adult human being loses the right to life? If so, under what circumstances?
14. Do you believe polygamous marriage should be legalized, either on a state-by-state basis or by federal fiat? Do you believe that "minor-attracted adults" should be protected by law as a perfectly valid expression of human sexuality that was much more common in ancient Europe and among non-Western cultures? Do you believe incest and/or bestiality should be protected by law as perfectly valid expressions of human sexuality?
15. Do you believe that individuals are ultimately responsible for their behavior, or do you believe they are subject to too many internal (biochemical, psychological) and external (social pressures, strange belief systems) factors to be held accountable, such that many of our criminal laws should be seriously reformed or eradicated?
via The NY Times/Bill Keller Irreligious Litmus Test | Strange Herring.
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knitpicky
Friday, August 26, 2011
The Lost Diadem of Ravenclaw--I mean...
Dorothy is definitely not in Kansas anymore. And by 'Kansas,' I mean 'today's standard educational limits.'
As I read, I took a few notes and put my understand in the common vernacular. However, as we're attempting to not be codfish, I will expound on those thoughts and formulate them in a less crude way: Sayers is very close to comparing modern educational systems to piles of musk ox defecation.
However, it's not simply Dorothy Sayers relieving herself, in turn, in the outhouse of today's "learning." She criticizes, but she also reveals a lost way of learning--one that hasn't been used since medieval times. Since we no longer use those tools (having been 'lost'), students are in school for years longer than they used to be. Some of this, she acknowledges, is because there is more to learn--we've discovered the light bulb, and the duck-billed platypus, and people have made up reasons why we shouldn't use the Oxford comma. Those things (except for the last) are acceptable. Children should learn about them. Dorothy Sayers simply says they don't know how.
She identifies with thoughts readers may have about other people: doesn't it ever appear that others have no idea what they're talking about? or that they can't articulate exactly what they mean, perhaps because they don't know exactly what they mean? that they don't know something, but they don't know how to find out the answer? that they don't know how to talk about two different things at the same time, because they view them as completely separate? Maybe these thoughts aren't about other people. Maybe these things are true about us.
Brief disclaimer: not that everyone's stupid! Some people are very intelligent. (Some people... well.) They may have even learned Sayers' lost tools without knowing it. She's merely suggesting that it should be more openly introduced into schools today, to better learning, because methods today may not cover all that they should. Children may learn facts, but not the methods behind it, why the fact is a fact, or even why they're learning it. Then they move on to a different 'subject,' and become unable to mix the previous with the present.
Sayers dislikes that word--'subject.' She uses it mockingly, and always in quotation marks, showing that she doesn't take it seriously enough to use as a real term. Why is this? It separates too much: one of her examples was chemistry and art. One might think, at first, that there is nothing to relate between the two--and one would be incorrect. Because subjects are taught so stiffly ("This is English class." "This is Math class.") and don't appear to blend, people think that they can't. Students are raised separating everything, and learning facts so differently by 'subject,' that they don't know how they learned them and they don't know how to transfer thoughts from one thing to another. Essentially, they don't know how to think.
Enter Sayers' 'lost tools.' What does this mean? (That we should fear and love God...) That when someone doesn't understand, we should hit them with a screwdriver we found in a box in the basement? Unfortunately, no. This is where Dorothy introduces the Trivium: grammar, dialectic (or logic), and rhetoric. She says it is the method of dealing with subjects (something that, when combined with the trivium, is acceptable), so that we aren't "leaving the method of thinking, arguing, and expressing one's conclusions to be picked up by the scholar as he goes along." She speaks of the Trivium as though learning it and having it in one's repertoire is a weapon. Sayers says to send one into the world with merely 'subjects' is to send them undefended: how will they express their opinion? How will they formulate their opinion, if they cannot process everything that's out there?
Sayers states that the Trivium is a preparation for learning. Each stage of the Trivium goes along with stages of childhood, and thus can easily be added into the educational growth of a student. Grammar goes best when they're younger: when they're eager to learn and can do so quickly. Feed them knowledge in the same subjects one would teach without the Trivium. As they grow older, more aware of what they're learning and how they might disagree with it, introduce Dialectic, or Logic. Make the student think about it. This age, Sayers points out, is already so argumentative that asking the child to reason things out instead of blindly accepting them will hardly be difficult. They will learn to discover fallacies and argue correctly. In the grammar stage, they will learn the words, in the dialectic phase, they will learn the syntax and history. (Dorothy Sayers suggests as well that they use the library.) Once they emerge from the Logic age, they enter Rhetoric, where there is more freedom of opinion. Here they learn to articulate everything they've learned so far into writing. Sayers advises that they be allowed to pursue subjects that are more of their interest and talent, although it will be hard to distinguish subjects now that the previous stages have taught them to mingle their thoughts. She doesn't speak much on Rhetoric, because here is where the student flourishes on their own.
Dorothy Sayers says that she is unconcerned with schools, she only wants the preparation of the mind. Her goal is to learn the art of learning through the Trivium, and it will simplify greatly the learning of all other good things.
Becoming narcissistic, I think our own dear mother did a pretty decent job of introducing the Trivium to us, whether or not she meant it. I don't want to sound like we're smarter than everyone else because we know how to learn or something, but we were allowed freedoms that not ordinarily-schooled children were. We ran around with sticks (oh no!) and read books about constellations and watched Schoolhouse Rock to learn about conjunctions. Does that directly relate to the Trivium? Noo! It's not even on the same subject... or is it?
Grammar: we learned and loved it. I can think of specific times when we sat down to have 'learning time,' but there are less memories of those than would seem likely. Yet somehow, I know quite a bit. Again, I'm not trying to sound incredibly vain, and there is so much more to learn, but our family does seem quite gifted with intelligence. My theory of how that happened is that we spent so much time reading--we took in much more than just stories. We also had extra time to do other things, such as building computers or writing stories. We read and we learned from it.
Then we wondered why. So we found out. Dorothy Sayers' acclamation of the library was correct--not only did it supply us with books that fed us stories, imagination, and facts, but it also gave us books to explain why and how things worked. There were histories and cross-sections and biographies and CDs of Mozart and art books to explain techniques. Though we may not have used the age suggestions found in Dorothy's essay, much of the grammar and rhetoric was found in books. The subjects mingled--science was learned and found in art technique, and art was found in history, and we learned history when we read, and when we read we learned English...
However, not everything was learned in dusty (or even new) books. Reasoning? Try talking to any of the maternal-side relatives. As Mom says, "We argue for sport." It must have sifted down through our genes, and even conversation in our house was practice in logic. The opinions are strong in this one.
Rhetoric was, as well, blended with the others. As I mentioned, we had time to write. I wrote stories, and I had them criticized and edited. I remembered surprising Piera when I was six by using the word 'glum' in a fairy tale. "How do you know the word 'glum'?" she asked, surprised. "I don't know," I answered, equally surprised that it was strange to have a large vocabulary. Thinking on it later, I realized I knew the word because I read, and I wrote it because I had unconsciously added it to the thesaurus in my mind.
I had lessons in language with my dad, with Piera, and with Schoolhouse Rock. Conjunction junction, what's your function? Hooking up words and phrases and clauses. Various tidbits of English writing stuck with me, although I couldn't say what. Piera taught us to write papers--formally, concisely, fluidly. I don't know if I can do all of that well, but I know the idea.
In turn, I note when books are written formally, concisely, or fluidly. I point out grammatical errors in scientific writing. I point out scientific errors in grammatical writing. I merge two 'subjects' and come up with knowledge that can be used no matter the topic. Though unaware that we used the Trivium, our family must have been more inclined towards that in our relaxed way of homeschooling. I say this simply because I knew what Dorothy Sayers was talking about. I even vaguely mentioned it in my last post, before I had read about the Trivium. (Although I had heard about it from Keaton.)
However, despite that fact that I think this could be bettered in education today, and doubt that it will be, it hasn't been totally eliminated from schools. I'm sure it does show up from time to time--I refuse to believe that everyone is an untaught imbecile. Over time, perhaps the Trivium became such a habit that it was forgotten to be taught, and now teachers and educational systems expect students to know it. Perhaps some of it is so ingrained in the system that we pass over it in our severe inspection. First graders learn to write. Fourth graders present projects. Sixth graders have debates and write opinions. Tenth graders write essays. It may go unsaid and unnoticed, but hints of the Trivium still remain. The art of learning is sadly overlooked today, but not, I think, lost.
Also, you assumed I would agree without allowing for the possibility that I wouldn't. For the most part, I do, but it appeared that you didn't expect any of my reasoning skills to work against yours. Opinions are opinions, not necessarily the right way of thinking.
On another note, Dorothy Sayers mentioned that many people are governed by Christian ethics that they don't realize are Christian ethics. I've definitely noticed that. Who said killing people way wrong? God. Who says it now? Everyone except a few murderers.
later, bro.
Tuesday, August 23, 2011
Words, Words, Words...
Good entry. Thanks for writing so quickly. If you keep going quickly, you can build up freebies for later dates.
So... education. Learning. When you start walking, you might not know where you're going to end up, but you do have to pick a direction to go. Do you have any idea where to start? I have some ideas of what's important to learn, but I want you to think about it out loud (in writing), so that you know how to verbalize it. And verbalizing it, that's an important part of education, because the ability to speak and reason is part of what it means to be a human being.
Then, in a hilarious note, listen to this: the greek word logos means "word," "speech/speaking," or "reason/logic." If you look at all of the things that came from this word, you might notice that they're all kindof related. When you have to put something into words, you have to make some kind of sense (logic) out of it. Being able to put things into words means being able to make sense of them. Our words might not be all that great, and our logic might not be all that correct about what we're talking about, but we still tried, and that's better than animals.
a) get good at grammar, logic, and rhetoric so we can
b) learn more about what it means to be a human being (anthropology = anthropos [human] + logos [words/reasoning about])
So. Go read, then write things.
Bacon, cheese, whipped cream and pickles
I like to sleep in.*
Well, that's completely true, but from that thought, we can go down two separate paths--one, that my schedule will be much more flexible, and two, the subject of my fatness.
When I went to a "regular" school, I woke up obscenely early (although not as early as girls who needed to, I don't know, brush their hair), slept or vaguely studied on the fifteen minute trip to school, and often spent most of the day half-asleep and doodling Alice Liddell in the margins of my advanced algebra notes. On those rare occasions where I participated in an interesting extra-curricular activity--such as stage managing--I would get home around 5:30 or 6pm; when I didn't, it was usually 3:30. The short afternoons and evenings consisted of convincing myself that my homework wouldn't take very long, even when it obviously would (please see Scieszka and Smith's fable, "Grasshopper Logic," from Squids will be Squids**). Point of interest: drawing an eight-generation family tree does not take half an hour. But I digress.
I didn't hate school, but mornings usually threw off my groove. Not eating breakfast can stunt your energy levels for the rest of the day, and attempting to be in a higher-level language class at 7:40am is not my cup of tea (although I often did drink tea in the mornings). Though I was tired, I did learn very much, and I was blessed in getting to see my friends daily. However, even when I arrived home mid-afternoon--as opposed to early evening--there were activities I wasn't able to do. Often my family was preoccupied--Temish had catechism twenty-five minutes away, or my mom took night classes at Concordia. I couldn't visit the art museum and spend hours meandering and taking notes. I couldn't use the midday sunlight for the correct lighting to draw at my desk. I couldn't make it to the bank and the store. I couldn't clean for my old neighbor before she got home from work. I couldn't visit my sister at college. I was weary (although possibly from poor eating and sleeping habits). I had homework. I didn't have time to read.
Most people can use that schedule, and well. Schedules are useful. I like them. They're helpful. I just didn't enjoy that particular one. I do like sleeping in.* End exposition.
As a homeschooler, there are about four million more options. Take a painting class at Michaels. Volunteer at the art museum. Teach myself piano. Use my teacher-y relatives to learn more. Use their intelligent, homeschooled friends. Use my own intelligent, homeschooled friends to learn more. Exchange one hour of learning French for one hour of doing art with a four-year-old. Work mornings. Stage manage shows for the Milwaukee Youth Theatre (hopefully!). Babysit weekly for two of the cutest children ever. Visit my scattered siblings. Make Temish write a page about narwhals. Memorize Africa. Run at 10 every morning. Write letters. Teach myself to cook. Read. Learn what I what, when I want, as quickly as I can learn it. Brilliant. Homeschooling = wizard = brick.
The fatness is a double-edged sword. Double-edged adipose cell. I love to sleep in, and sleep can be good for me. I might even be able to sleep long enough to match my body's needs. (I'm a growing girl.) If I'm not sleeping, I can still languish in my bed and read Spirituality of the Cross or something with similar levels of awesomeness. I can wear my pajamas and learn trigonometry. However, that same obesity will probably block my motivation from sight. That motivation is learning. (Fat < learning.) If I become distressingly lazy (which is... an obesibility), I would get angry, and someone--possibly myself as well--would have ssslap me ssso sssuper hard.
Therefore, to avoid getting slapped, and to avoid hating myself for all eternity because I'm lazier than a three-toed sloth (who only climb out of their trees to pee, which--exchanging 'tree' for 'bed'--could probably be me some days), I hope to improve my totally lame motivational and productivity skills. Maybe I'll complete projects EVERY SINGLE DAY, and the result will be becoming intelligent, organized, and assertive. And maybe I'll use less parentheses.
AND THERE'S MORE! Those are merely amazing bonuses on the side. The subject matter is also incredible--I mentioned some when I spoke on the flexibility. I could learn French, and I could also learn Greek and carry on with Spanish. I could learn to paint, and use this drawing book that I have to learn to draw realistically, with shading and contours and real... stuff... Stuff I can't yet describe, because I haven't read the book yet. Mom has history books--two or more--and there are science textbooks, and math textbooks, and plenty of grammar-type books so that I can learn every single nuance of the English language. (Another point of interest: did you know that the Oxford comma was officially stated to be unnecessary? This is complete rubbish. That comma is as necessary as an epiglottis... WHICH IS IMPORTANT.) I have friends who have materials for AP Language, AP Psychology,*** and Pre-Calculus.
While on the topic of Pre-Calculus, let me lead in to another stupendous reward of being homeschooled: you aren't limited. At all. So much of what I've said already feeds into that one sentence. You aren't limited. In a "regular" school, you have four years and roughly thirty-two classes--less if you take a study hall. As a homeschooler, in my one final year of school, I can take Pre-Calculus... and Calculus. I can take French... and German and Greek and Spanish and Italian. I can study medieval history and specifically Irish history. I can study painting and drawing. To be homeschooled is to be versatile. I can learn at my own pace, whether it be slow or quick.
The last point is, perhaps, the most wonderful. Mom has always said it was part of why she homeschooled us. In "regular" school you learn facts: the surface area of one's lungs is about the size of a tennis court. In "regular" school you learn methods: FOIL. It's not that one can't learn more... but generally one doesn't. And it's not that those are bad, either! Oh, no. Those are tremendous and useful and lend to increasing the power of the incredible brain God created. But when learning isn't restricted by schedules and classes, there's so much more to be discovered. Creativity, ideas, and imagination: learning to think.
*does this count as ending a sentence in a preposition? I think it seems okay in this situation.
**I can type it up if anyone cares to read it.
*** example of the much-loved Oxford comma. You know why it's so important? "I love to eat bacon, cheese, whipped cream and pickles." IT LOOKS LIKE I ENJOY PICKLES AND WHIPPED CREAM TOGETHER.
P.S. I already discovered your little Facebook link scam. Not that I was tempted by Facebook... but I was certain that it wouldn't actually go to Facebook, so I clicked to see where it would ACTUALLY lead... tricksy little hobbitses.
