Thursday, December 15, 2011

Paper Assignment #1

Write a formal paper of no less than five (5) and no more than ten (10) pages. Do not pad it with extra fluff writing at the end to get it to the right length: have at least five pages of actual thoughts/proof. I will be able to tell. It must be double spaced, 1 inch margins on every side, and 12 pt. Times New Roman font. Use book/line numbers as you have been for in-line citations. Include pertinent bibliographic data as an extra page at the end (and no, it doesn't count as its own page. it's EXTRA). I'm not picky about the format for a bibliography. 

  In the first half of this paper you will articulate the ancient greek idea of virtue ("what does it mean to be a good human being"), citing examples from the text of the Odyssey generously to demonstrate their understanding of virtue and human nature. Use clues from what you've learned of their world (anthropology, gods, host/guest, bloody battles, to name a few...) to argue for why their understanding of virtue might be true. This part could be five pages all by itself.
 In the second half of your paper, you will interact with the elements you've outlined above, evaluating what you think of that idea. Use whatever sources you want to argue for or against various elements of their philosophy. Come to a conclusion about what good can be gained from reading this book, and why it's worth reading today.

Your rough draft is due before Christmas Day. Send me drafts anytime if you want my thoughts/edits/comments/etc. The final draft is due before the end of the year. I highly suggest outlining the paper first, as it will prevent you from rambling. 

-Keaton
        <><

Peace

Open in the underworld. Everyone is boasting about how they died, and then the suitors arrive and bemoan their whole suitor story. Everyone else just laughs. "Happy Odysseus!" they cry (130-225). Sorry, Antinous. You're still a jerk. This is hilarious.

"He wore a goatskin skullcap to cultivate his misery that much more" (250-256). Poor Laertes--that would make me miserable, too. Once again (although I'm sure you'll explain it), I don't understand why he tests Laertes--everyone else knows it's him, and it wouldn't stay a secret for very long. Anyway, Odysseus makes him feel like crap by telling him he looks like a slave, and he starts to cry, and then all three generations are reunited and it's wonderful (277-284).

Good language: "rumor the herald" (457). I suppose rumors are rather like that.

457-520: Everyone wants to kill Odysseus. 520-602: They change their minds. Then Athena grants them peace and it's over! It's pretty brilliant.

In answer to your previous questions, you probably wanted me to read this book because it's full of human nature, and the consistency of it, and really epic stuff and good and bad things. You're all about good and bad and justice and whatnot, and you wanted me to figure out what was good and what was bad and what was justice. A poem becomes epic when it is focused on a hero, is majestic, heroic, and of unusually great size (so says dictionary.com). I suppose a connotation would be that it has all of that stuff I've mentioned previously, and people really like it. I haven't heard of epics, really, other than Homer and like two other Greek things.

You also asked what I thought of Telemachus and his situation--I don't understand what you mean anymore. I don't remember what was even happening. SORRS.

The Great Rooted Bed

(I almost wrote 'The Great Rooted Bread." Mycelium.)

Excepting the certain circumstances, tricking someone who says they're your husband would have been a good idea. BUT PENELOPE. REALLY. WHAT IS THIS. I suppose the secret signs is a good verification system, though. An immovable bed (197-230). Cute. Anyway, then they do it, but they also talk for a really long time, which I also think is cute. At least they really like each other, and Odysseus doesn't go off and cry, like he did when he was with Circe. or Calypso. or both. Yeah being married.

Slaughter in the Hall

Although despite Odysseus revealing himself, at the dawn of book twenty-two, the suitors are suddenly very calm and collected. Then they are dead. Well, some of them--the others ask Odysseus for mercy, and they offer tribute and sacrifices. He kills them anyway--I don't know exactly how righteous anger works, but I don't know if I agree with this situation. I can't entirely figure it out. They were jerks. Now he's killing them. They don't exactly apologize, but they want to keep living... so they try to appease him. WHAT is the right thing to do here?

Then Athena tells Odysseus to man up (234-243).

"The attackers struck like eagles" (316). The fulfillment of the eagling. FINALLY.

Leodes, the nice one, dies anyway (324-341). He's not a boor, so I didn't quite understand it--until I remembered that he's a suitor, courting Penelope. Who is Odysseus' wife. Sooo he's not the happiest guy right now. It's too bad, though, that Nice Leodes dies. (I remember Knox mentioning it in the introduction.) But the steward and the bard live--they're only servants, forced into doing the suitors' bidding (345-401). I guess that makes sense, but it's sort of obnoxious, because Leodes was nice.

Then Odysseus says he needs his nurse (416-417), which is funny. Once all the suitors are dead, Odysseus rounds up the wenches, makes them clean up his bloody mess, and hangs them in the yard. It's brutal. I suppose it's Greek. Then he destroys Melanthius, and that is savage (471-504). "Manic fury" =/= righteous anger. Just because you're going to kill someone doesn't mean you have to merciless rip them apart.

Wednesday, December 14, 2011

Odysseus Strings His Bow

Oh, it never fails. Antinous pretends he doesn't want the bow--he doesn't want to shoot it, or win it, or anything (103-111). He does. It sounds like something that would happen today. I GUESS PEOPLE DON'T CHANGE. Wow. Homer is really making a statement right now. Well, I am. But Homer wrote this like a kajillion years ago, and a kajillion years later, people still do the same things. Jerks are jerks. Wives cry when their husbands go to war. Servants are loyal or disloyal ("No you're not. You're disloyal."). People are the same. THIS IS RIDICULOUS. I wonder why that is.

130-150: Poor Telemachus needs to work out more. Odysseus is just a beast, I guess.

163-167: To be noted later--Leodes loathes the suitors' ways.

Odysseus tells the swineherd and the cowherd that he's, you know, him, and they believe him and are super excited and still loyal. Why, then, did he not tell them earlier? It's the same with Penelope. Telemachus believed him. Why does he still tell stories to everyone?

Here's what's rather unnerving: the swineherd tells Eurycleia to stay away, especially if she or the other maids hear men moaning and groaning and screaming (425-431). UM.

Then, in lines 451-484, Odysseus reveals his amazing strength and identity and anger and whatnot, and it seems to build in anticipation of his wrath. IT IS EXCITING.

Portents Gather

portent (noun): a) an indication or omen of something about to happen, especially something momentous b) threatening or disquieting significance c)a prodigy or marvel

portent: Athena promises to help Odysseus get rid of the suitors (50-58).

portent: Zeus thunders at Odysseus' prayers, as well as the spinning girl's.

portent: The cowherd greets Odysseus and says how like Odysseus he is. He and the swineherd pray to Zeus about it.

portent: All the suitors and the serving girls arrive.

portent: A suitor throws a hoof at Odysseus (330-341). I don't know entirely what that's about, but it probably made Odysseus rather furious.

portent: Telemachus threatens the suitors (341-381).

portent: The seer Theoclymenus predicts the suitors' death (382-414).

THIS IS GREAT DRAMATIC BUILD-UP. I really felt rather anxious.

Penelope and Her Guest

"Get a grip on yourself" (19.44).

99-101: Penelope and Odysseus are on the same page, at least, even if they don't realize it. I guess that's a good relationship. CONNECTED even when they are APART. WOW. They are both pretty sneaky, which is interesting, because I suppose that must make them like each other. Except I bet their dating situation was rough. I wonder how Telemachus ended up so clear-minded--Homer describes him as such, but he comes from such tricksy hobbitsy stock... It's rather curious.

Why doesn't Odysseus just tell Penelope while they speak? Maybe he didn't want it to let slip to the suitors, but Telemachus can keep the secret. She wouldn't have told anyone either, probably, and then she wouldn't have been so sad for so much longer... they could have had their 'secret sign' conversation a few books early.

386: "They're not my style."

Odysseus also keeps predicting his own return, as do the eagles, and all sorts of prophets and whatnot. It's rather distressing that he's been gone for so long, and so no one takes him seriously. Except beautiful Eurycleia (430-538)! She sees that little scar and is so super excited about Odysseus. That's brilliant. I suppose Telemachus believed him, too. Anyway, then Eurycleia says she'll tattle on all the wenches (561)... and I began to wonder if that was okay. Everyone says tattling is lame, but telling people when someone has done wrong, so then justice is SERVED like so many tennis balls, is probably a good thing. I suppose it just seemed weird when I first read it.

602-629: geese + eagling = Odysseus. also... the future here is pretty obvious. thanks for playing, suitors.

Then lines 644-661 talk about Penelope's axe contest, which I remember vividly from Wishbone.

The Beggar-King of Ithaca

They ask Irus, Old Beggar, to kill Odysseus, New Beggar. It's like a cock fight, but then Dwayne shows up again and reveals his "rippling thighs" (76-81). Like Brennick. Then he wins. WHICH SHOULD PROBABLY TIP OFF THE SUITORS. Buuut they're pretty stupid. Which, by the way, is supported by the fact that they didn't realize, for three years, that Penelope was tricking them by unraveling Laertes' shroud. Duh.

This girl from my work, when she saw what I was reading, agrees that Fagles' translation is really funny. It's so... frank. Like lines 18.100-101. Cripes. And suddenly! There is foul language! and wenches (362-381)! And baldness (400-403)!

Also, more thrown stools (444). What is that? Is that a common mode of defense? Of releasing anger?

(I read through this stuff pretty quickly... so I don't have much to say, because I had to go through it again to write down some stuff. Sorry.)

Wednesday, December 7, 2011

Stranger at the Gates

I began to get rather into the story, and I didn't take notes so I could plow through a handful of the books, so sorry that my thoughts are... scattered and without purpose.

Telemachus has some tight friends who promise to keep his treasure for themselves if he gets offed. Knowing that the other option would be distributing it amongst the suitors, this is a pretty strong gesture of friendship. My thoughts then moved on to the fact that Greeks don't get an income just for being Greeks, and this must be why Odysseus was plundering all the time, and part of why people give guest gifts, and why everyone is handing out treasure... what goes around comes around. And foreign kings gave both Odysseus and Telemachus a boatload of golden goods, so now the whole family is super rich. Excellent.

Theoclymenus is the seer that Telemachus picked up, and now I understand why--they are more birds hanging around, and he translates this for Penelope or Telemachus or whoever is asking. No one believes him, but hey, Homer gave him a purpose in life.

17.185: Homer describes the suitors as being "full of swagger." 2011, you're not cool.

As Eumaeus and Odysseus walk to his mansion, one of the jerk suitors starts to beat up on Odysseus. Thankfully, he is built like Dwayne "The Rock" Johnson, and cannot be moved (17.255-256).

Enter Argos, the loyal dog (17.317-360). Odysseus cries. Exit Argos, the loyal dog.

In lines 381, 385, and 646, three different characters tell Odysseus that "Bashfulness, for a man in need, is no great friend." Thinking today of people who stand in the Dunkin' Donuts' parking lot and ask you for $2, I get kind of freaked out, so speaking only about beggars in ancient Greece, I guess this makes total sense. Even strangers were almost like beggars--the whole Zeus thing meant that they should be welcomed, but really, they want a place to stay and food to eat. So bashfulness would not be good in that situation.

Due to lines 602-612, I laughed out loud. Telemachus sneezes, and it marks Penelope's words as true. GREEKS, I TELL YOU.

Antinous is jerk pretty much all the time, and he throws a stool at Odysseus (508-512). Who does that, really? But thankfully, Homer agrees with me in his description of Odysseus as "steady as a rock" (17.512). His amazing foresight meant that he wanted Dwayne to play Odysseus in a potential movie. He even has a sacrificial bull tattooed on his bicep.

Father and Son

It's rather distressing when Eumaeus greets Telemachus like a son upon his arrival, when his real father (Odysseus) is sitting feet away and is IGNORED. and he can't even say hello without sounding terribly awkward. I also find it interesting that he doesn't tear up at this moment, although later, when he glimpses his loyal dog Argos, he has to look away for the tears in his eyes.

BUT IT'S OKAY. Because moments later, Athena transforms Odysseus and reveals him to Telemachus, and they are geeking out and crying and saying, "No, YOU'RE a god!" and "No, I'm not!" It's a pretty dramatic and touching moment, and I'm glad Telemachus believes him, because I already know (thanks, introduction) that Penelope doesn't believe him at first. Anyway, Odysseus the Liar tells Telemachus to keep his secret, which doesn't make sense to me, because they're both extremely BA. otherwise known as BASICALLY ARETE or something. (how do you pronounce Arete?)

The suitors are all murdery and deceitful, and it's terrible, and I hoped that Telemachus wouldn't die, or else the whole story would be ruined. Thankfully, Bernard Knox ruined it for me, and I didn't get terribly anxious. However, in 436-449, Amphinomus is like, "Alright, yo, check it. Dark. Smoke. Let's not kill Telemachus." I appreciate that, and I'm sure Telemachus does, too.

The Prince Sets Sail for Home

Athena tells Telemachus about the ambush, which is helpful. Apparently she can do this because Poseidon doesn't hate him, only Odysseus.

Menelaus seems to be that really friendly kind of host that doesn't insist that you stay even though he IS insisting that you stay... (15.73-94). Later, his son assists Telemachus in escaping from Menelaus' hospitality, which is pretty humorous. It wasn't mean, but it was sort of like, "I need to go home now... help me out here, Bob." Although guest gifts are nice. Telemachus is now loaded.

EAGLING AGAIN (179-183). Helen interprets, which is handy, because it is only minutes before a prophet/murderer comes along and hitches a ride with Telemachus. Strange, and at the time, I was wondering what Homer was even doing with his life. It makes sense later.

In contrast with his cunning and lying and crafty father, Telemachus is extremely honest and clear-minded, and I like it. I rather prefer it.

Brief interlude to reminisce on Odysseus' family: Laertes is depressed, and Eumaeus grew up with Odysseus' mother and sister! Wow! people have families! I just learned that Stalin had a daughter. Strange stuff.

15.443: "Even too much sleep can be a bore."

Eumaeus, the loyal swineherd, was kidnapped. His life sucks. JOIN THE ODYSSEUS CLUB. But really, at first, all I was doing was picking on Homer and this translation and weird Greek customs, but now I'm pretty into the story and feeling pretty terrible for Eumaeus, who was taken from his lovely rich family by a band of pirates and wenches, and then enslaved by his master who then leaves for 20 years. This. is. dramatic. The literature gets rather advanced, too, as Homer switches between father and son... it's like a movie, or a TV show, where the book/chapter ends right as Telemachus reaches Eumaeus' house, where Odysseus waits...

588-592: Birds again.



The Loyal Swineherd

... which makes me think of The Sound of Music.

Basically, Odysseus lies to his most faithful servant, and everyone from the swineherd to the swine to me believes it. It's full of exile and death, which is true to his real life, but full of falsehoods and fallacies that made me go, "wow, bummer," even though I KNEW IT WASN'T REAL. ODYSSEUS. CRIPES.

I know lying saved him from the Cyclops, and some other stuff, but I don't see why that's something to be lauded otherwise.

Eumaeus, the swineherd, is narrated in the second person. Homer probably sang about him like this so that it would work metrically--it happens more than once, so it must be one of the lines he reused frequently to fit in--but it's irregular and interesting. It's the only place in the entire book (that I've noticed, and that wasn't while someone was speaking) where the second person is used. As an example, 14. 502: You replied in kind, Eumaeus...

Anyway, then Odysseus tells a long lie just for a cloak. Eumaeus is pretty boss and probably would have just given it to him if he had asked. Again, I don't understand why that's necessary.

14.477: porker

Wednesday, November 23, 2011

Ithaca at Last

Alcinous and Arete are really nice. I like her name, now that I know what it means. It sounds fitting for her, because she's pretty great. It seems like the Phaeacians are pretty spectacular.

Now that you explained a lot of stuff, and I'm trying to keep a cap on my obvious Christianity > Greek stuff thoughts, I don't have much to say.

Zeus tells Poseidon to "do what he likes" in 13.158-180. That is lame. Also it is to be expected with the gods, who are lame and do whatever they want. It's annoying that Poseidon is punishing the Phaeacians for being NICE, although of course they would have a prophecy about it.

Odysseus sleeps on the shore like a beached whale, plus treasure. Athena arrives and he lies to her about his heritage, because she looks like a shepherd boy or something. I wonder why he does it--it seems like a protective mechanism, because his life sucks, and he doesn't want anyone else to hate on him or try to eat him or anything. That's confusing, too, because everyone loves him. He's all wily and strong... what's not to like? But Athena just laughs at him, which is funny, and then she gets all flirty. And helps him by revealing Ithaca and the life stories of his family. Yus.

Sorry my word choices suck. Just like Odysseus' life. He wakes up on Ithaca, and his immediate thoughts are, "Those damn Phaeacians screwed me over!" And he actually does swear about them. But this thought makes sense, because really, his past has been absolute rubbish. Bummer.

The Cattle of the Sun (or Odysseus' Style is Cramped)

Circe just knows everything. Like Tiresias. Warnings are good, but they also give away the story. Foreshadowing... Is Scylla like a hydra? My knowledge of these creatures are pretty limited. Pretty much to video game references. ... lame.

12.134-136: "No, row for your lives, invoke Brute Force, I tell you, Scylla's mother--she spawned her to scourge mankind, she can stop the monster's next attack!" Does this mean that Scylla can be killed? Her mother can kill her? This is pretty interesting.

I also find it interesting that the Sungod, Helios, isn't more important. Ra was pretty important, and it seems like the sun should be... important. At least we get some cool words from Helios' name.

12.167-180: It's nice of Odysseus to actually tell his crew what's going on. I had some notes on how it seemed like he didn't communicate that well, which might have been the cause of the random mutinies... but here he does, and they STILL end up mutinying.

It's surprising that the Sirens don't have a bigger role in the story. They seem rather famous--I'm sure they're in other things than just The Odyssey, but this book is what I think of when I think about them. And they don't even have a whole page! There are also some Christian parallels with those guys. Girls. Sin sounds really great, and fun, and beautiful, like the sirens. FALSE. Odysseus really wants to listen to them, and go to them, but his crew has beeswax in their ears... so I guess we just have to use Bible beeswax and ignore it.

This book is good, I suppose, because it's really annoying me that Odysseus' men are being so stupid. It reminds me of those times when you read something embarrassing, and you feel flustered and you almost don't want to find out what happens next, which is an example of some of the criteria I use to determine whether or not something is 'good' (not morally speaking). I hope that makes sense. ANYWAY, the crew is really frustrating. Good going, you idiots, now you're all dead. How many times were you told to ignore the cattle of the sun?

Then Odysseus is done with the story! And it's shorter than I thought! But he's still in the middle, like so many Frankensteins, so we've got time.

Best quote fragment of the entire book: "cramping my style" (12.246).

The Kingdom of the Dead

11:25-52 involves a creepy ritual situation. The Bartimaeus trilogy was creepy, too, and I just remembered this Wiccan that came into Michaels one time. Also creepy. Anyway, in my notes I got all heaven-is-better (duh) but Odysseus' circumstances are pretty weird, and he's summoning all these people and they're drinking blood and it's strange.

I don't like Greek death. There's no hope in it, and it's super tormented and terrible. I'm glad of our own hope in salvation and heaven and Jesus. That pretty much covers most of what I wrote about this book. "I JUST CAN'T GET OVER THE GREEK AFTERLIFE."

Also, literary license is great. Really, Tiresias? He just knows all this stuff to make Odysseus' life easier (11.100-157)? That's so convenient. Foreshadowing alert.

It's pretty sad that Odysseus didn't even know his mother died (11.173-256). I suppose with the vague, shadowy afterlife business, he can talk to her one more time. As long as she drinks blood. bummer. Also, because he's telling a story, I think I might have made him skip the dead women part. When I read it, I was confused and bored, because I didn't understand the lineage business and how important it was. Now I do, so it's nice to know that these women are proclaiming the kleos of their uteri.

11.439... onward. It is also sad that all these great men come over and talk to Odysseus, because they were friends, and they all died. It's probably good that he has closure with them, but they'll all just get to hang out and be miserable together once Odysseus dies. That's why... Christianity is better. Duh.

11.693: lithe, alluring ankles. get some.


Tuesday, November 22, 2011

The Bewitching Queen of Aeaea

First of all, Aeaea. haha.

10.6-8: so much Greek incest. gross.

10.39-50: Why do you think Odysseus' crew decides to be mutinous? They're all with him during the Cyclops bit, but then they get all foul-tempered later. It's probably because they're sick of all this nonsense, but how else are they going to get home? And, besides, if he's so great, why can't they just trust him? Everyone else he meets absolutely loves him (except Polyphemous). Anyway, because of them, Odysseus (and his crew) gets screwed over again. And because of them, when they go back to Aeolus, he says the gods hate them and so does he. Good going, guys.

171-179: How James Potter really died.

255: It's a trap!

10. 305-334: CRITICISM: If Hermes looks like a young boy with his first beard, how does Odysseus know it's the god? This is a first person story.

352: aswirl with evil.

So there was all this adultery and I wrote about it, but whatever, we know it's wrong but it's different there. BUT if you think your spouse died, and then you go and get remarried, and then your spouse comes back ALIVE, what is the deal? Are you really married to that other person? Are you still married to the first one? Are you married to ANYONE?

Then I was confused about Circe's motivation. She changes them back from pigs and OP invites them to stay for a year. So does she hate people, or like to serve them?

Homer is so funny: "Once I'd had my fill of tears and writhing there..." (549).

HERE. Before you said anything, I wrote that it was good that Homer began the story with Athena and Telemachus and Penelope, or else I'd be confused and annoyed. Frankenstein does this, too. He starts kind of at the end and then you meet the 'hero' (who is lame) and then you wrap around the beginning and back to where you started.

613-617: a warning to not ever get drunk on a roof.

I also noted poor communication skills going on from about 600-622.
The crew says, "Let's go home!"
Odysseus answers, "Okay! brb let me talk to Circe." He does. "Let's leave now."
"Yay!"
"Psych! We're going to the Underworld."
Tears ensue.

Thursday, November 17, 2011

In The One-Eyed Giant's Cave

In 9.21-22, it seems like little Odysseus is boasting up a storm, except I read in the introduction (thanks, Bernard) that he's just stating truths and not trying to be prideful. However, I also read that he was proud of his societal position, much like Lady Catherine de Bourgh, who is annoying. I can't tell if Odysseus is proud or not, or if he is, then if it's a good thing or a bad thing. -- okay I wrote that before we talked about kleos and arete and that nonsense. SO I GOT IT NOW. but those were my thoughts beforehand.

Also, does he plunder, like a pirate? In 44-47, it definitely sounded like that. I don't know much (any) of the history behind this, so perhaps they were enemies and this is REGULAR but it's just making Odysseus sound like a jerk. A proud jerk.

So one time, Mom had to read part of The Odyssey for her class. She read me a quote one time from the introduction that resounded with one of the things that I read in MY introduction (again, thanks, Bernard), which was that Homer was not strictly geographically faccurate. Which is kind of funny.

9.93-115: The Lotus Eaters. Haha. For real.

The men in lines 9:252-253 are after my own heart: "From the start my comrades pressed me, pleading hard, 'Let's make away with the cheeses, then come back..."

There is the custom of a guest-gift, but to me it still seems rude to just assume that you will receive one and to inquire after it (9:300-302). Perhaps it's just that foreign of an idea, and it would be rude not to give one. That's probably the case. However, now it's polite to bring a gift when you visit people. I know people who do that almost every time they come over. And even though the host/guest relationship was very important, it just doesn't seem polite.

Gross. Cyclops is just eating people left and right. It gets pretty graphic, like so many movies about Scottish freedom. Also gross: they hide the stake under a pile of dung, and then they stick it into his eye. DUNG EYE. What a great idea. Odysseus is pretty brilliant.

Is it okay to deceive evil people in the face of your mortality?

430-444: ew.

575: Cyclops says he'll give him a guest gift to speed him home. Was he being deceive-y? Does he respect Odysseus enough to help him out like that, or is he trying to trick him again? I can't even figure it out.

OH NO. In 585-595, Cyclops, who is the son of Poseidon and is shouting out in pleading prayer to his father, pretty much screws over Odysseus and his crew. OOPS. But in 618-619, it says that Zeus was intent on destroying the crew... so I don't know how Cyclops' prayer really translated. I guess they were all in it together or something.

Monday, November 14, 2011

A Day for Songs and Conquests

"Sunrise lands" is good terminology for the east (8.32).

I love the names of the men competing in the games--Riptide, Bowsprit, Broadsea, etc... they're very fitting, because these characters obviously don't seem to have much to do with The Odyssey as a whole, so they can be titled however Homer wanted them to be (8.130-134).

ALSO, THE OLYMPICS. THIS IS AWESOME. (One time, I decided I was going to adopt a Belorussian [Belarussian?] baby and name her Winter Olympics.) There is a race, wrestling, jumping, and discus, which is really exciting because I competed in the discus once, and it's really difficult (8.140-150). Men back then were probably stronger, because they didn't have machines to do everything for them. You want to go on a boat trip? Row yourself there. You want to walk to Rome, four hundred miles away? Walk there. You want to build a wall out of boulders? Lift them. It's pretty awesome. Forklifts are for wimps.

Then there's some conflict. Broadsea challenges Odysseus (8.182-189). So our hero responds much like Sean/Dark Smoke Puncher: alright, yo, check it. Conveniently, there is a large discus nearby, and he flings it really far (190-220). Then he boasts about it, which is less cool (8.252). It's interesting how this plays out exactly like it would if they were in fourth grade.

That was the contest part, and now there is the song portion of the day. Demodocus, who is a blind bard, sings about Area and Aphrodite, and that's pretty much gross. Hephaestus traps them right in the middle of their Immoral Party. Apparently, Aphrodite doesn't like him because he is crippled. But how did a god become crippled? Shouldn't he be whole and untarnished? And in 8.362, he calls her names. Soon everyone comes out to look, except "modesty kept each goddess in her mansion" (8.367). Of course, now they are modest. Hermes openly says that he is jealous of Ares in lines 381-384, and another wholesome quote is found in 8.371: "A bad day for adultery!"

It's pretty shocking to read this, but I suppose that this sort of story shows up in entertainment all over the world. And That's also pretty shocking.

In other news, I liked how the Phaeacians treat Odysseus. The host/guest relationship (you can read about it in the introduction) is pretty neat, actually. I like the royal family: Nausicaa is respectful, they are kind and wise and Alcinous made Broadsea apologize, and they do things like clean their own laundry in the river. I hope Odysseus' family is like that, too. My only qualm is the incest, but I've mentioned that before.

And suddenly in my notes, I stumble across "oh yeah, Willy Wonka," which makes absolutely no sense.

So in 8.516, Nausicaa is totally crushing on Odysseus, but he deals with it very gently (8.521-526). Even though the introduction MENTIONED THAT SCENE, how it came about was a little unexpected. He just said no, but he did say he would pray to her as a deathless goddess. Can people pray to mortals (I mean, did the Greeks think they could)? She was part god, which I believe is mentioned in her family history (7.61-79), but by now she's mostly human. Would the gods get angry?

8.501: Odysseus mentions Circe, and I wrote down that I predicted a story-time with the Phaeacians. IT TURNS OUT I WAS RIGHT.

Phaeacia's Halls and Gardens

I suppose this first thought could have been a continuation of my last post, but oh well. Now that I know Athena is scared of Poseidon, her posery makes a little more sense. It's lovely that she's helping out everyone as best she can, instead of being a disguisey little wenis.

Greeks are gross. Alcinous and Arete are related--uncle and niece (7.61-81). I'm pretty sure this happened in the Bible, which is also gross. I'm glad this sort of incest has been stopped, except maybe in West Virginia or something.

It seems like Phaeacia is Atlantis.

Perhaps Arete is the merciful one here, but it seems as though Odysseus should approach the king, as opposed to his wife, when he asks for help (7.167-181). It reminds me of a small child asking his mother for something after his father said no, only minus the father part.

Possibly the best quote in the entire book is found in 7.250: "But despite my misery, let me finish dinner."

The order of this story was really confusing. I think I've figured it out now, but I was expecting a chronological story. My notes, although I've discovered more since then, say, "I thought Calypso and the Phaeacians were the second part, and actually I'm pretty sure they are, because the INTRODUCTION gave it all away. So I'm excited for the literary devices that will turn this story AROUND." Yeah literary devices.

Queen Arete is really keen, in the observant sense: likes 7.269-271 describe how she recognizes the clothes on Odysseus' body, and know that they belong to her household. If that isn't a motherlike tendency, I don't know what is. Alcinous is rather kind, too, and they sound like a decent family (remember, I like Nausicaa, too), as long as you don't think about the incest.

The Princess and the Stranger

I like the title of this book. It's good and mysterious sounding.

Set the stage with Athena being a poser again. Is it really so hard for her to be herself? Does she have bad self-esteem? Why can't she show her goddess-ness? It seems to me that that would be a good omen, and she would be able to help Odysseus more efficiently. I suppose the familiarity of her pretend people makes sense, though.

6.70: Lusty bachelors. Yikes.

6.140-142: Odysseus is naked. When I read that, I had to go back and find out when he took off all his clothes (when he was swimming), because I was really confused. It was also really gross because he slept in leaves, and there are always slugs in leaves. Can you imagine sleeping in slugs when you're naked? Gross. Anyway, the interesting bit was that he was embarrassed to be naked, like so many Adams, or really just the one. I thought Greeks were more okay with naked bodies, though. I wonder if I think that because of all those naked Greek statues. Were they okay with it? Although it makes sense that someone wouldn't want their first impression to be a scary, leaf-and-slug-covered naked stranger.

Nausicaa is really nice. She seems like she isn't a wench, and she's bold but rather humble and very kind. She may be my favorite character up to this point.

Oh, my beginning question has been slightly explained, although it's still a little strange. Athena probably dresses upout of fear from Poseidon, because he's part of the Triple Entente or something (6.361-365).

Odysseus--Nymph and Shipwreck

Here's what I don't understand: why Hermes can't just save Odysseus, if he knows exactly where he is and, you know, is a god and all that. "I'm good, but not that good!" Similarly, why does Zeus decree that Odysseus needs to use a raft to float to Scheria (5-37-38)? This is all Zeus, the king of gods, can do? If they can turn ships to stone, can't they turn stone to ships? It's a little disappointing, really.

In 5.121, Homer writes that [Odysseus and his crew] outraged Athena. I thought she liked them, but this is her fault entirely? I just thought of that Mood Rings song by Relient K.

In 5.151, Calypso mentions how she offered to make Odysseus ageless and immortal. In the introduction, it mentioned this part, the offer of being ageless. Bernard Knox said how cool that was, because one time, this goddess made her lover immortal, but NOT ageless, and he ended up get older and older and all crippled and decrepit in her bed. That's pretty gross. It's a good thing Calypso is thinking this stuff through.

Odysseus really hard problems are described in 5.170-171: "In the nights, true, he'd sleep with her in the arching cave--he had no choice..." But here's what I'm wondering: does that mean that she raped him every night or something? how else would you not have a choice? I'm sure there was some kind of choice involved. Is it just because she's a goddess? Either way, I think it's wrong, no matter what the Greek mode of thinking was.

5.176-199: Odysseus' distrust in these lines kind of make sense, then, if Calypso was keeping him on as a ravaged victim all this time (he had no choice). This is the only bit that makes sense, but it seems as though his character is slightly inconsistent. One minute he knows when the game is afoot, and other times he has no idea what's going on. I think we need a little character development or something. Where is his tragic flaw?

OF COURSE, she's not really being that nice. "Hardly right, is it, for mortal woman to rival immortal goddess?" Calypso asks Odysseus (5.234-235). What a wench. The distressing part is that we don't know if Odysseus is telling the truth when he responds that Penelope is uglier than the goddess. At least he says he loves her, basically, but Calypso wouldn't understand that. In asking him about the beauty of the two women, it shows she doesn't get real love, which is more of a real God thing anyway. To the Greeks, it's more of a lust deal. In 2.251, "long in each other's arms they lost themselves in love," I'm sure the Greek poem uses 'eros' for love. Not agape or phileo or storge or anything. LAME. Also, can they please refrain? The sun sets, and they have to do it? SERIOUSLY. You have a WIFE. Have some dignity. This is a baby orchestra.

Wait, what's Poseidon's deal again? I don't remember Odysseus doing anything to enrage him.

5.344: "A hero's funeral, then, my glory spread by comrades," means that to them, death can be good or bad. It's a good thing I have K. Wiet to remind me that death is unnatural, but we go to heaven. Those poor Greeks.

Update: Odysseus falls into the sea and it's pretty depressing. 5.470-471 say they he would have died if Pallas Athena would not have inspired him. Whenever something good happens, he's inspired by a god or goddess. This reminds me of Sean's Baptist friend John, who said that if a vase falls on your head, it was the devil. Devil = gravity. Bummer.

By the way, I named my computer Calypso. I might change it, but I don't know yet.

Wednesday, October 5, 2011

The King and Queen of Sparta

Hermione! Do you know anything about her? She's Helen's daughter, and it says she is 'a luminous beauty.' I wonder, as a good nerd ought, if there is any correlation between her and J.K. Rowling's character.

Menelaus (the red haired king, as Homer is sure we know) exemplifies the stranger-talk in the introduction. However, he is also described as dear to Zeus. Which, then, does Zeus like better: Menelaus, or the strangers?

How many times will Homer repeat the same things? This is only the fourth book, and I've heard quite about about how Agamemnon is dead. It seems that Homer wants you to read the Iliad, because he's quite proud of it.

Is Helen married to Menelaus? I'm quite confused. She's rather frank, though, if you look at 4.162. Goodness! ... Or rather, not.

Odysseus seems to have endeared himself to many people. At this point, I'd rather like to meet him--four chapters without a single word from the poor man. I wonder why Athena is so partial to him--was it explained? Will it be? Is it just a fact that a reader must accept? Was it from an event in The Iliad, one that Homer did not cover in the summaries in The Odyssey?

Helen drugs the wine! They're sad to think of their lost family, friends, and fellow warriors. However, I don't think the best way to dissolve anger (4.245). Even if someone were to die in front of you, the description says, you would not cry, nor, I'm guessing, even be sad (4.249-251). There are better ways to cheer someone up, ways that are founded more with good ethics. Homer speaks about it in a way that makes it seem really great; he praises her as Zeus' daughter. There are better ways to be joyful, but once again, I'm referring to being a Christian, and this is a fictional book, and I can't change it, so maybe I should chill out for a second. But still--when has drugging anyone ever been good, except in medical situations?

"Dawn with her rose-red fingers" ... again.
4.359 overweening

Everyone is quite long-winded.
"Have you seen my dad?"*
"Yeah, so, this one time in Egypt..." An hour passes. "Then he told me your dad is on an island! Weird, right?"

Gods are stupid... again. They make hardly anything easy. Proteus of Egypt--that Old Man of the Sea who never lies--is betrayed by his own daughter. Proteus is keeping Menelaus on the island because he didn't sacrifice to all the gods while he was in Egypt, and he needs to go back and re-do it so he can go home. This is like keeping debtors in jail so they can pay off their debt (like so many parables). Then Eidothea instructs Menelaus and his men to disguise themselves as seals in a plot to trick Proteus. I know, it makes it quite a bit more exciting, a transforming god and men in sealskin... but betrayal is not the answer. Then they can ask these all-knowing gods--who don't know when a seal is really a king--if people are alive across the sea. Somehow, too, I disagree with them telling of everyone's fate to whomever asks. The gods' logic is undeniable, like so many California girls.

4.610: "How long must you weep? Withering tears, what good can come of tears?" I refer to Matthew 6:25-34. Yus! Biblical connections!

Now the suitors are plotting, as Eurycleia and I foretold. And she feels bad for keeping secrets from Penelope. I suppose it's not good to always be hiding the truth from people (that Telemachus left), but he asked her not to tell so she wouldn't die of grief, as she seems in danger of doing. In this situation, it seems alright.

The Mentor confusion resurfaces: Athena's poser-hood is problematic. Athena also cares for Penelope again by sending that phantom. It does tell her Telemachus will be safe, however, it's not incredibly caring in that it won't say anything about Odysseus. If his whereabouts are known, why won't anyone say and reassure Telemachus and Penelope? This seems heartless. Surely there are easier ways than winging about like an eagle, dropping cryptic signs and making everyone sail about the high seas. The phantom even refuses to say anything of Odysseus, saying, "It's wrong to lead you on with idle words" (4.942). This is so confusing. These gods and their whims are selectively kind, and it's frustrating.

*It's a reference to Finding Nemo in Flushed Away... remember?

King Nestor Remembers

The sacrifice of bulls reminded me of Taliesen. In that book, they were all heathens. Then some of the heathens died with Atlantis, but some of them went to Arthurian England, and there they became Christians. Being a Christian is good. Those were good books. It's too bad they're all heathens in The Odyssey.
Then Telemachus acts shy about asking Nestor about his father. Athena yells at him about it, and I quite agree. If he's there to discover Odysseus, and quickly so he can return to his mother and protect her from the suitors, why is he suddenly scared? Perhaps there should be more character development. Does Telemachus have a habit of getting cold feet? From where does that phrase even come?
Athena prayed to Poseidon. Is that allowed? Can gods pray to other gods? If he can be far away and miss it when he is tricked, how does he hear the prayers? Jesus prayed to God, but that's different, because he's omni-everything. This Greek god situation needs to be straightened out.
It really doesn't make sense for Telemachus to leave his mother and his home. I agree with his housekeeper from the second book: the suitors will plot and plan in his absence. He could have easily sent out a messenger on a boat (♪) to discover those same things which he wants to find out. Maybe the messenger would not have had the same response as 'godlike Telemachus.'
Upon some thought, though, it was rather kind of him not to tell his mother. When she does find out, she's heartbroken and she collapses. He obviously cares about her well-being, and it seems to make more sense that Telemachus stay at home to protect her. Or perhaps, since she's a stranger to somebody, Zeus has got it covered.
3.314: squadron
Clytemnestra. I read the name--do you know anything about her? The name sounds familiar.
Athena wants the best for Telemachus, but then she turns into an eagle and leaves. There's quite a bit of eagling going on here... stay tuned.
Pretty true to the title of the book, King Nestor remembered. Now I know what happens in The Iliad, not that the introduction and even the few previous books didn't give that away, either. There's little to be wondered with Homer's fame and his habit of repetition.

Telemachus Sets Sail

(In my Odyssey notebook, I just write down thoughts, so I'll try to formulate them into something... appealing to read. I hope it works--they're vaguely connected.)

"God be with him" referred to Zeus, which was strange. The idea of those gods being gods, those who created and care for you, is unsettling. I mentioned that when I talked about the gods in the introduction. I wouldn't want Zeus to be with me. Besides, if I met someone I didn't know--also known as a stranger--he'd probably protect them! What would be the use of that?
Your MOM: Antinous is making mother insults! He says Penelope "played it fast and loose," which does not sound very nice (2.97). However, although apparently Telemachus is a family man, he seems to pass over these insults. I know Knox said he had some mother issues, but I feel like his sense of honor should have responded to Antinous' rude speech on her merits.
The translation says 'scot-free' quite a bit (2.159, 2.169, and others). Have you ever translated the epic? Does it actually translate like that?
What was that air-fight bit about? I'm certain I would have had to dissect this sign had I been in class with Miss Pfaff. I didn't really want to think about it, so I let Halitherses have his turn, and I'm going to pass over it. I guess I just don't understand how eagles fighting in the air means what it meant.
Halitherses, I am told, outperforms all men of his time (2.177). He also predicted the exact story of The Odyssey, which is pretty convenient: you'd think people would have remembered that. I guess this is the sort of poetic license that writers can get away with in 'the classics.' Nowadays, it would never fly.
2.211: codger.
I wrote about Mentor in a paper sophomore year. He was an excellent chap, but Athena is a poser. She's always dressing herself up as other people, and her disguise as Mentor even causes confusion later on. I don't know that this is necessarily a good thing. It's dishonest. Perhaps it disguises the shock factor of Athena being, well, a goddess, but don't you think that Telemachus having a goddess on his side--and not just any goddess, but Athena--would make the suitors listen? Hiding herself under Mentor's familiar face didn't make them pay attention. Athena could solve many problems for Telemachus if she showed up, kicked some tail (like so much Donkey Kong), and then helped him find Odysseus. This is like Glinda knowing all along that tapping her heels would make Dorothy go back to Kansas. How unfair was that, really? A prime example of this confusion lies in book two, lines 434-439:

Then bright-eyed Pallas thought of one last thing.
Back she went to King Odysseus' halls and there
she showered sweet oblivion over the suitors,
dazing them as they drank, knocking cups from hands.
No more loitering now, their eyes weighed down with sleep,
they rose and groped through town to find their beds.

To quote my notes, "If Athena can knock the retards unconscious, why's she's only doing it now?"
There's an adorable little housemarm! There is in every story. How brilliant. We should concoct a list of things that are vital to good stories.
Previously, I thought that the epics rhymed and had precise meter and what-not. They do... in Greek. Now, as I read it in English, it's just a story in a different format. I never really thought about it until I started reading it. However, you do notice how Homer reuses phrases, because of the case and syllables and such.

Athena Inspires the Prince

The be quite bratwurst, Robert Fagles' translation of The Odyssey is hilarious, and that's unexpected. I rather thought the epic would be heavy, wordy, and dry (I know some people like that. ...). While it is quite wordy, being circa 400 pages long, it's easy to read and enjoy. It's not just Fagles, of course: Homer penned the work, and how he chose to do it is interesting.
In the first book of The Odyssey, Homer takes a personal look at the gods' interests and their inclusion in everyday life. They choose favorites--Athena openly shows her affection for Odysseus, and Zeus speaks on the traveler's great qualities. Athena also likes his son, and she visits Telemachus in the first book of The Odyssey. He is attached to his name and his family, and is enraged with Penelope's suitors. She, in turn, is distressed with their unwelcome advances. Athena shows her support for the whole family.
However, no where in the first book do readers even meet Odysseus. It merely sets the stage for his infamous tale; it is the exposition, the precursor to hearing of the odyssey. Being a poet and perhaps a performer, maybe Homer wrote it this way--briefly outlining Odysseus' tale through Athena--to capture the attention of his ancient audiences.
It's difficult to imagine the epic as it would have been performed, and also astounding, as it's so very long. At first I wondered if audiences would have been amused, as I am, but I recalled that The Odyssey is fraught with drama and would have been taken very seriously: Athena's pride, Zeus' favor, Telemachus' anger, Penelope's grief. It's serious business.

The Introduction

The Odyssey's introduction is split into separate parts, each a little (or not-so-little) essay on something concerning Homer's epics. They cover quite a few topics, too, but the distressing factor about introductions is that they give everything away. The Odyssey is pretty well-known, but the introduction delves into the details that I did not want to know until I actually read it. It's still fun to read, but introductions suck.

The Odyssey
Homer is old! Well, he may have been old--more like his texts are old (like, omg, he usd hole wrds! lol!). The essay describing the history of his books seemed, to me, a little long-winded. Did Homer sing, perform for snaps, or write? First everyone thinks it was written... then they didn't. It could have been: language is old, too. Bernard Knox penned interesting theories and stories, but he did mention how some people pretended there had been other bards coming up with other epics. There really weren't. Faker bards = epics being the new pink.
At first, this comment was merely about the essay, but it also applies to the epic: it takes quite a long time to read; it must have taken ages to write. Another mentioned theory comes from my wordplay there--some people think many wrote it over time. I think it was Homer, and he wrote it down, because only Cam Jansen would be able to memorize the whole Odyssey.

The Language of Homer
Homer was popular and as well-quoted as Star Wars in a household of Wietings. Homer, to be concise, used poetic license, at least metrically speaking. There had to be dactyls and spondees (how delightful!) and a certain number of syllables. Because of this, people and places are often described in the same few words, due to the restrictions of meter, syllables, and for what the grammatical case called. Isn't that incredible?
There was speculation that, if Homer performed, he improvised quite a bit and slipped in his regularly-used adjectives where they fit. This way it would be more creative, because apparently, writing ruined the oral bards' talents at improvisation.
Another interesting point is that, factually, Homer had no idea what he was talking about. The map in his mind and the map of the world don't match up that well, and the palace was all over the place... and this is where poetic license fits in again.

The Odyssey and the Iliad
They go together.

Western Seas
Homer, apparently, was an explorer. This is shown in how he evaluates the land; he is not specific as to cartography, just landmarks. Bernard Knox mentions the Italian boot in this section, and, I have to agree with you, Keaton, that this part was boring. Also, the thesis is pretty much the last sentence, and it looks bad.
Knox did mention Shakespeare's The Tempest. He says both books were written in the same evaluating manner, despite one being about a shipwreck and the other being about traveling. I remember thinking, as I read this, that he was pulling a lot of this stuff from... uh... nowhere. Shakespeare and Homer were writers. I don't think they were planning on farming everywhere they look or wrote about. They like to describe and use vivid imagery. It's nice that Bernard Knox likes to credit them with having many interests, or something, but I think they liked to be flowery in their language. It engages people. It makes it not boring. People who think Homer and Shakespeare are boring... are boring. Okay, that was general statement. But speaking of Shakespeare, it's totally not hard to read.

Voyager
Knox makes it sounds like Odysseus is a pirate! He's deceitful! It's good! That's intriguing. I don't think being deceitful is good--yes, maybe he can escape being eaten by Cyclops, but it certainly sounds as though he's being praised for being a liar. Maybe I glean the wrong things from my readings.
Then, in a sudden change of heart, the word 'voyager' is described as 'relationship between host and guest.' (Whedon calls that a 'companion'...) But really, it is better described as travelers who must avail of the kindness of others on their journey. There aren't bed-and-breakfasts every ten miles when you live in ancient Greece. It's tough to travel. Thus, people need to look out for strangers.
Also, apparently, xeinios = Zeus = protector of strangers. This is totally illogical. If you are one person, and you are the only one who ever has a point of view in the entire world, then this makes sense. Then Zeus takes care of everyone else. But this is not how it goes, and so Zeus has to be taking care of EVERYONE. Not everyone knows each other--in fact, most people don't. So Zeus has to protect... everyone. It's a strange, general way to talk about things, it doesn't make sense, and I don't like it. If Odysseus approaches someone, neither of them know each other, and they're both strangers to each other. Zeus has to protect both of them, then. WHICH DOESN'T EVEN MAKE ANY SENSE. He might as well be called Zeus, protector of every single person. But he's not. Because that's GOD.
Guests receive gifts! That's pretty cool. They can be picky, though--beggars CAN be choosers, at least where Zeus is concerned. (Look at the word 'choosers.' GROSS.) Odysseus refuses immortality and two proposals of marriage. That shows strong bonds of family love.
"The sirens would have kept him forever also, but dead" (pg 31). Thanks, Knox.
Speaking of the dead, Odysseus travels down there, and it's pretty terrible! It's all gray and tired and sad! Everyone hates it. THIS IS RIDICULOUS. JESUS. is not. More on this later.
Also, on page thirty-three, Knox says 'constant vigilance,' which is an obvious Harry Potter reference.

Hero
Lies are good! Be proud!
My idea of a hero is not a liar. I suppose, as was mentioned before, that he deceived to protect from one-eyed giants ("Isn't that a smelly kind of cheese?"). However, deceit shouldn't be a valued trait when it comes to heroes. (He's also spoken of as a 'persuasive speaker,' or a liar... coughobamacough.)
Odysseus is also very proud of his social position, which seems to me to be very much a Jane Austen approach, or perhaps she had a very Homer-type view. Odysseus demands respect, just as Lady Catherine does. Respect is good where respect is due, and I'm sure he's quite respectable. However, I don't like the traits laid out here for a leader. They don't appear to be very God-pleasing... however, their gods were people like Zeus and Aphrodite, who aren't entirely wholesome, either. SPEAKING OF...

Gods
They play favorites. They play doll with the lives and cities of the world. Slightly annoying, very arrogant, and thankfully, total crap.
For example, Zeus gives over Troy. Hera gives him three cities in exchange... then seduces him. It's an everyday routine. Messing with mortals in the morning, a little seducing before teatime, end the day with a burning, hypocritical rage, and we're set. It's easy to see that sinful man made up these gods. Gods are fickle. (This next sentence is exactly what I have written in my notes...) OMG THE TRINITY!
I like that Homer makes up this stuff, though. It sort of proves my point. Knox mentions how one translator didn't like the story, so he changed a few words, and voila. The gods were different. They're figments of imagination. They're fun to learn about, but they have very few godlike traits: they can change ships to stone. They live on a magical mountain. They can change their appearance. Did they save damned humanity from eternal death? NO. Lame.

Women and Men
Knox says women play peaceful roles in The Odyssey, and then he goes on to say that Circe was 'temptingly restful' and Calypso was 'oppressive.' I fail to see how these word choices portray peacefulness. They aren't in fights, but they certainly don't offer rest and respite.
It also outlines how Telemachus wasn't too kind to his mother. This seems over-analyzed: it's just how Homer wrote it. I don't think he psychoanalyzed every character and gave Telemachus deep, rebellious feelings towards his mother. Homer probably just wanted a beefy story. I do.
Penelope is sneaky, and also kind of a wench.

In conclusion of the introduction, no one really knows why Homer did what he did. It gives us plenty to think about, but much of it seems rather made-up. Also, truly, the introduction gives so much away, which is sad.

Pronunciation
Interesting. How do you know which syllables to stress? Is it a weird Greek thing?

Wednesday, September 7, 2011

Black and White Makes Your Color Artwork Dynamic

After you complete your Ferris Wheel upload a picture of it, so I can see.

The next project I have in mind is related to value. Depending on how long you spend on this project each week and the size of the canvas you choose, will determine how long this project will take you. Keep me updated as to your progress, so I have an idea as to when I should post another project.

This will have 5 steps. 

Subject of the painting: Create (a new one, don't copy one that already exists) a cover for one of your favorite books.

~1~
If I were there in person I would explain to you value; however, I am here and you are there and this is what we have at this moment. I found a short article about value. This article contains the things that I would explain to you if I were there in person. I loved the part were the author tells you to mix something other than white with your colors to lighten them. Did you notice this with your Ferris Wheel painting that you got very paisley colors when you mixed white with it. I used a lot of yellow ochre to lighten colors up. The color chart you created will always help you with figuring these color mixing questions out. 

After reading the article create a grayscale with 9 values going from white to black, if you haven't done this already with your acrylics.

Borrowed from this site


This article also throws out a lot of stuff to do with color theory, particularly from Munsell and Albers. These two are the foundations of most of the color theory we have today. You can read about Munsell or  Albers at these sites. Feel free to peruse them for more information if you would like while you do this project. Also, this is fun.
 Photo taken from here
~2~
Sketch out two possibilities for the book cover you want to create. Brainstorm different ideas. Make sure it is something that you want to draw and paint three times. 

~3~ 
Paint a black and white value painting of the book cover. Keep in mind the article's suggestion to keep a variety of values to create a dynamic work of art.

                                                                                               
                                                   

Artwork owned by Pastel Horse World

~4~ 
Draw the same sketch again, but this time use two complimentary colors to create the same variety of value you did with the black and white painting and the article's suggestion to keep a variety of values to create a dynamic work of art.







~5~
Photo taken from a website but I have this 
feeling that Disney owns the rights to it :-p
Draw the same sketch again, but this time use your full color spectrum available to you. Once again, keep in mind your black and white painting and the article's suggestion to   keep a variety of values to create a dynamic work of art.               
                                                                                          
When you are done with step 5, it might be fun to take a picture of it and turn it into a black and white photo to see if it looks like the black and white painting that you did earlier!

If you have questions about a problem you are having while painting or anything at all concerning this idea for a project let me know. I'll help as much as I can from this distance. Upload pictures of the project as you go through the steps. 

Under His mercy,
Rebekah

Thursday, September 1, 2011

Freshman Convocation Address at Hillsdale

Worth reading. Sorry about the goofy colors.

 
 

Sent to you by teacon7 via Google Reader:

 
 

via The Imaginative Conservative by Brittany Baldwin on 8/31/11

By Brittany Baldwin

As you will soon discover, if you haven't already, Dr. Arnn likes to pick on students. So, as he has given me a 7 minute slot on stage, I have to get him back. Just a little bit. I have a sister who's now a Sophomore here, and when she was visiting the college, we went out to eat, and we ran into Dr. Arnn there. I told him my sister was visiting the college, and he said, "

 
 

Things you can do from here:

 
 

The Odyssey

Go read Homer's Odyssey. If you can, find the translation by Robert Fagles. Read it pretty much at your own pace, but do at least a "book" a day. It's a biggie and you don't want to read it on the computer, so get a hard copy. I think I might have left a copy upstairs in your room.

Meanwhile, I'm going to try to find a sweet article by C.S. Lewis, which has currently evaded my grasp. It's called "Bluspels and Flalansferes: A Semantic Nightmare," and is in the book Selected Literary Essays (1969, ed. by Walter Hooper). Maybe the library has that book. If you have to go to the library to get the Odyssey, see if you can find the Lewis thing too. It's sweet.

A quick question for your comments: what makes something "literature," as opposed to just "fiction" ? What do you think?

Monday, August 29, 2011

Something to think about....

People make choices based on what they believe about the world. Politicians make choices based on their understanding of the world and of humanity and of God, no different than the rest of us... except that they decide what goes on in the official things of the country. Read through this list and comment to let me know what you think about this list of questions.

 
 

Sent to you by teacon7 via Google Reader:

 
 

via Cranach: The Blog of Veith by Gene Veith on 8/29/11

New York Times editor Bill Keller came up with a series of questions about religion that he is asking presidential candidates, an inquisition necessary in order to ferret out, among other things, which ones doubt the doctrines of evolution, the equivalence of all religions, and that there is a higher law than religion, namely, secular law.  Anthony Sacramone discusses these questions and even answers them.  He then counters with "The Sacramone Questionnaire for Nontheists":

1. Do you think that anyone who believes in the supernatural is delusional? If so, do you believe they should be treated medically? Do you believe they should be allowed to adopt children?

2. Do you think anyone who believes in six-day special creation should ipso facto be barred from holding public office?

3. Do you believe the religious beliefs of historical figures should be eradicated when discussing them in schools? For example, that Louis Pasteur was a devout Catholic who prayed the Rosary daily?

4. Do you believe that the religious faith of those responsible for the birth of modern science—Galileo, Copernicus, Robert Boyle, Isaac Newton, Gregor Mendel, George LeMaitre (father of the theory of the big bang), Jesuit priests too numerous to mention, et al.—should be eradicated when discussing them in schools?

5. Do you believe that it should be noted that the rise of modern science occurred in the context of a civilization that was still explicitly Christian when teaching either European history of the history of science?

6. Do you think homeschooling should be illegal, as it is in some European countries?

7. Do you believe vaccines are a factor in the rise of autism cases? Do you believe parents should be allowed to opt out of vaccine programs?

8. Do you believe that global warming/climate change demands we de-industrialize?

9. Do you believe churches and all religious institutions should be taxed?

10. Do you believe that there is such a thing as life unworthy of life? Explain.

11. Do you believe assisted suicide and euthanasia should be made legal either on a state-by-state basis or by federal fiat?

12. Do you believe infanticide should be made legal? If not, when is a baby a human being protected by the rights any other human being enjoys?

13. Is there any point when an adult human being loses the right to life? If so, under what circumstances?

14. Do you believe polygamous marriage should be legalized, either on a state-by-state basis or by federal fiat? Do you believe that "minor-attracted adults" should be protected by law as a perfectly valid expression of human sexuality that was much more common in ancient Europe and among non-Western cultures? Do you believe incest and/or bestiality should be protected by law as perfectly valid expressions of human sexuality?

15. Do you believe that individuals are ultimately responsible for their behavior, or do you believe they are subject to too many internal (biochemical, psychological) and external (social pressures, strange belief systems) factors to be held accountable, such that many of our criminal laws should be seriously reformed or eradicated?

via The NY Times/Bill Keller Irreligious Litmus Test | Strange Herring.


 
 

Things you can do from here:

 
 

knitpicky

ALSO I would like to knit something every week. Please try to keep me on track! I'm going to finish an old project this week. hopefully. yus.

Friday, August 26, 2011

The Lost Diadem of Ravenclaw--I mean...

[reference to Harry Potter and the Deathly Hallows]

Dorothy is definitely not in Kansas anymore. And by 'Kansas,' I mean 'today's standard educational limits.'

As I read, I took a few notes and put my understand in the common vernacular. However, as we're attempting to not be codfish, I will expound on those thoughts and formulate them in a less crude way: Sayers is very close to comparing modern educational systems to piles of musk ox defecation.

However, it's not simply Dorothy Sayers relieving herself, in turn, in the outhouse of today's "learning." She criticizes, but she also reveals a lost way of learning--one that hasn't been used since medieval times. Since we no longer use those tools (having been 'lost'), students are in school for years longer than they used to be. Some of this, she acknowledges, is because there is more to learn--we've discovered the light bulb, and the duck-billed platypus, and people have made up reasons why we shouldn't use the Oxford comma. Those things (except for the last) are acceptable. Children should learn about them. Dorothy Sayers simply says they don't know how.

She identifies with thoughts readers may have about other people: doesn't it ever appear that others have no idea what they're talking about? or that they can't articulate exactly what they mean, perhaps because they don't know exactly what they mean? that they don't know something, but they don't know how to find out the answer? that they don't know how to talk about two different things at the same time, because they view them as completely separate? Maybe these thoughts aren't about other people. Maybe these things are true about us.

Brief disclaimer: not that everyone's stupid! Some people are very intelligent. (Some people... well.) They may have even learned Sayers' lost tools without knowing it. She's merely suggesting that it should be more openly introduced into schools today, to better learning, because methods today may not cover all that they should. Children may learn facts, but not the methods behind it, why the fact is a fact, or even why they're learning it. Then they move on to a different 'subject,' and become unable to mix the previous with the present.

Sayers dislikes that word--'subject.' She uses it mockingly, and always in quotation marks, showing that she doesn't take it seriously enough to use as a real term. Why is this? It separates too much: one of her examples was chemistry and art. One might think, at first, that there is nothing to relate between the two--and one would be incorrect. Because subjects are taught so stiffly ("This is English class." "This is Math class.") and don't appear to blend, people think that they can't. Students are raised separating everything, and learning facts so differently by 'subject,' that they don't know how they learned them and they don't know how to transfer thoughts from one thing to another. Essentially, they don't know how to think.

Enter Sayers' 'lost tools.' What does this mean? (That we should fear and love God...) That when someone doesn't understand, we should hit them with a screwdriver we found in a box in the basement? Unfortunately, no. This is where Dorothy introduces the Trivium: grammar, dialectic (or logic), and rhetoric. She says it is the method of dealing with subjects (something that, when combined with the trivium, is acceptable), so that we aren't "leaving the method of thinking, arguing, and expressing one's conclusions to be picked up by the scholar as he goes along." She speaks of the Trivium as though learning it and having it in one's repertoire is a weapon. Sayers says to send one into the world with merely 'subjects' is to send them undefended: how will they express their opinion? How will they formulate their opinion, if they cannot process everything that's out there?

Sayers states that the Trivium is a preparation for learning. Each stage of the Trivium goes along with stages of childhood, and thus can easily be added into the educational growth of a student. Grammar goes best when they're younger: when they're eager to learn and can do so quickly. Feed them knowledge in the same subjects one would teach without the Trivium. As they grow older, more aware of what they're learning and how they might disagree with it, introduce Dialectic, or Logic. Make the student think about it. This age, Sayers points out, is already so argumentative that asking the child to reason things out instead of blindly accepting them will hardly be difficult. They will learn to discover fallacies and argue correctly. In the grammar stage, they will learn the words, in the dialectic phase, they will learn the syntax and history. (Dorothy Sayers suggests as well that they use the library.) Once they emerge from the Logic age, they enter Rhetoric, where there is more freedom of opinion. Here they learn to articulate everything they've learned so far into writing. Sayers advises that they be allowed to pursue subjects that are more of their interest and talent, although it will be hard to distinguish subjects now that the previous stages have taught them to mingle their thoughts. She doesn't speak much on Rhetoric, because here is where the student flourishes on their own.

Dorothy Sayers says that she is unconcerned with schools, she only wants the preparation of the mind. Her goal is to learn the art of learning through the Trivium, and it will simplify greatly the learning of all other good things.

Becoming narcissistic, I think our own dear mother did a pretty decent job of introducing the Trivium to us, whether or not she meant it. I don't want to sound like we're smarter than everyone else because we know how to learn or something, but we were allowed freedoms that not ordinarily-schooled children were. We ran around with sticks (oh no!) and read books about constellations and watched Schoolhouse Rock to learn about conjunctions. Does that directly relate to the Trivium? Noo! It's not even on the same subject... or is it?

Grammar: we learned and loved it. I can think of specific times when we sat down to have 'learning time,' but there are less memories of those than would seem likely. Yet somehow, I know quite a bit. Again, I'm not trying to sound incredibly vain, and there is so much more to learn, but our family does seem quite gifted with intelligence. My theory of how that happened is that we spent so much time reading--we took in much more than just stories. We also had extra time to do other things, such as building computers or writing stories. We read and we learned from it.

Then we wondered why. So we found out. Dorothy Sayers' acclamation of the library was correct--not only did it supply us with books that fed us stories, imagination, and facts, but it also gave us books to explain why and how things worked. There were histories and cross-sections and biographies and CDs of Mozart and art books to explain techniques. Though we may not have used the age suggestions found in Dorothy's essay, much of the grammar and rhetoric was found in books. The subjects mingled--science was learned and found in art technique, and art was found in history, and we learned history when we read, and when we read we learned English...

However, not everything was learned in dusty (or even new) books. Reasoning? Try talking to any of the maternal-side relatives. As Mom says, "We argue for sport." It must have sifted down through our genes, and even conversation in our house was practice in logic. The opinions are strong in this one.

Rhetoric was, as well, blended with the others. As I mentioned, we had time to write. I wrote stories, and I had them criticized and edited. I remembered surprising Piera when I was six by using the word 'glum' in a fairy tale. "How do you know the word 'glum'?" she asked, surprised. "I don't know," I answered, equally surprised that it was strange to have a large vocabulary. Thinking on it later, I realized I knew the word because I read, and I wrote it because I had unconsciously added it to the thesaurus in my mind.

I had lessons in language with my dad, with Piera, and with Schoolhouse Rock. Conjunction junction, what's your function? Hooking up words and phrases and clauses. Various tidbits of English writing stuck with me, although I couldn't say what. Piera taught us to write papers--formally, concisely, fluidly. I don't know if I can do all of that well, but I know the idea.

In turn, I note when books are written formally, concisely, or fluidly. I point out grammatical errors in scientific writing. I point out scientific errors in grammatical writing. I merge two 'subjects' and come up with knowledge that can be used no matter the topic. Though unaware that we used the Trivium, our family must have been more inclined towards that in our relaxed way of homeschooling. I say this simply because I knew what Dorothy Sayers was talking about. I even vaguely mentioned it in my last post, before I had read about the Trivium. (Although I had heard about it from Keaton.)

However, despite that fact that I think this could be bettered in education today, and doubt that it will be, it hasn't been totally eliminated from schools. I'm sure it does show up from time to time--I refuse to believe that everyone is an untaught imbecile. Over time, perhaps the Trivium became such a habit that it was forgotten to be taught, and now teachers and educational systems expect students to know it. Perhaps some of it is so ingrained in the system that we pass over it in our severe inspection. First graders learn to write. Fourth graders present projects. Sixth graders have debates and write opinions. Tenth graders write essays. It may go unsaid and unnoticed, but hints of the Trivium still remain. The art of learning is sadly overlooked today, but not, I think, lost.

Also, you assumed I would agree without allowing for the possibility that I wouldn't. For the most part, I do, but it appeared that you didn't expect any of my reasoning skills to work against yours. Opinions are opinions, not necessarily the right way of thinking.

On another note, Dorothy Sayers mentioned that many people are governed by Christian ethics that they don't realize are Christian ethics. I've definitely noticed that. Who said killing people way wrong? God. Who says it now? Everyone except a few murderers.

later, bro.

Tuesday, August 23, 2011

Words, Words, Words...

[Hamlet, Act 2, ii]

Good entry. Thanks for writing so quickly. If you keep going quickly, you can build up freebies for later dates.

Okay, it sounds like you want to learn things. We can do that. What exactly you want to learn is... a little bit less defined. You don't know what you don't know to learn...that's how we're supposed to start with wisdom. Socrates ran around ticking people off because he said we should admit that we don't know much. Solomon said that in even better terms too... The fear of the Lord is the beginning of wisdom. Admit that you're... not the Lord. You're a human.

So... education. Learning. When you start walking, you might not know where you're going to end up, but you do have to pick a direction to go. Do you have any idea where to start? I have some ideas of what's important to learn, but I want you to think about it out loud (in writing), so that you know how to verbalize it. And verbalizing it, that's an important part of education, because the ability to speak and reason is part of what it means to be a human being.

Wait. stop. Go read this. Your assignment is to write 1500 words about that article. In the first half explain what she said, and then explain in the other half whether you agree with her or not, and why. (Obviously, you're going to agree with her, so try to match up what she says with your life experiences and reasoning skills.) If you want to comment on what I say next, do that in an additional 500 words. Do so by Saturday evening before you go to sleep. 

Then, in a hilarious note, listen to this: the greek word logos means "word," "speech/speaking," or "reason/logic." If you look at all of the things that came from this word, you might notice that they're all kindof related. When you have to put something into words, you have to make some kind of sense (logic) out of it. Being able to put things into words means being able to make sense of them. Our words might not be all that great, and our logic might not be all that correct about what we're talking about, but we still tried, and that's better than animals.

For example, if I say:  "Winston Churchill is a carrot," I am somehow linking those two things together and making a statement about reality. I am clearly wrong, but i can describe it. Go ahead and try to find something that can't be put into words. You might think of something, but I bet you can't tell me what it is with words, you have to sort of kerfuffle around the edges and use similes and analogies and experiences and stuff. Good luck. Speech and Reason go together, and that's one thing that God gave us that makes us distinctly human. Being better at those makes us better at being human beings as God has made us. Education, particularly the Trivium* (grammar, logic, rhetoric), develops that aspect of our God-given humanity. 

Humanity. What does it mean to be a human being? Who ARE you? You walk around all goofy on two legs, covered with patches of hair in weird places, and make noises at other hairless bipeds. We run and jump around and dress up in funny hats and assemble together to listen to other moderately hairy bipeds make funnier noises. What IS THIS? WHY? This is a good question.

This reveals two goals I have for us.
a) get good at grammar, logic, and rhetoric so we can
b) learn more about what it means to be a human being (anthropology = anthropos [human] + logos [words/reasoning about])
c) learn why human beings do some of stuff we do
           and eventually,
d) learn more about the world in which God placed us. (cosmology = cosmos, [world] + ology [words/reasoning about])
             What's missing from that list? 
e) learn more about God. (theology = theos [God] + logos [words/reasoning about])
              Why? Cos your pastor does that pretty regularly. And I'll dither around talking about God and how He connects to the rest of all of this, but your pastor is the primary one to trust for the God-teaching.

So. Go read, then write things. 
-Keaton
        <><


* This is a great book that explains and teaches those tools of learning. It's $6 online. get it while it's that cheap... usually it costs $20 or so.

Bacon, cheese, whipped cream and pickles

Dear Keaton,

I like to sleep in.*

Well, that's completely true, but from that thought, we can go down two separate paths--one, that my schedule will be much more flexible, and two, the subject of my fatness.

When I went to a "regular" school, I woke up obscenely early (although not as early as girls who needed to, I don't know, brush their hair), slept or vaguely studied on the fifteen minute trip to school, and often spent most of the day half-asleep and doodling Alice Liddell in the margins of my advanced algebra notes. On those rare occasions where I participated in an interesting extra-curricular activity--such as stage managing--I would get home around 5:30 or 6pm; when I didn't, it was usually 3:30. The short afternoons and evenings consisted of convincing myself that my homework wouldn't take very long, even when it obviously would (please see Scieszka and Smith's fable, "Grasshopper Logic," from Squids will be Squids**). Point of interest: drawing an eight-generation family tree does not take half an hour. But I digress.

I didn't hate school, but mornings usually threw off my groove. Not eating breakfast can stunt your energy levels for the rest of the day, and attempting to be in a higher-level language class at 7:40am is not my cup of tea (although I often did drink tea in the mornings). Though I was tired, I did learn very much, and I was blessed in getting to see my friends daily. However, even when I arrived home mid-afternoon--as opposed to early evening--there were activities I wasn't able to do. Often my family was preoccupied--Temish had catechism twenty-five minutes away, or my mom took night classes at Concordia. I couldn't visit the art museum and spend hours meandering and taking notes. I couldn't use the midday sunlight for the correct lighting to draw at my desk. I couldn't make it to the bank and the store. I couldn't clean for my old neighbor before she got home from work. I couldn't visit my sister at college. I was weary (although possibly from poor eating and sleeping habits). I had homework. I didn't have time to read.

Most people can use that schedule, and well. Schedules are useful. I like them. They're helpful. I just didn't enjoy that particular one. I do like sleeping in.* End exposition.

As a homeschooler, there are about four million more options. Take a painting class at Michaels. Volunteer at the art museum. Teach myself piano. Use my teacher-y relatives to learn more. Use their intelligent, homeschooled friends. Use my own intelligent, homeschooled friends to learn more. Exchange one hour of learning French for one hour of doing art with a four-year-old. Work mornings. Stage manage shows for the Milwaukee Youth Theatre (hopefully!). Babysit weekly for two of the cutest children ever. Visit my scattered siblings. Make Temish write a page about narwhals. Memorize Africa. Run at 10 every morning. Write letters. Teach myself to cook. Read. Learn what I what, when I want, as quickly as I can learn it. Brilliant. Homeschooling = wizard = brick.

The fatness is a double-edged sword. Double-edged adipose cell. I love to sleep in, and sleep can be good for me. I might even be able to sleep long enough to match my body's needs. (I'm a growing girl.) If I'm not sleeping, I can still languish in my bed and read Spirituality of the Cross or something with similar levels of awesomeness. I can wear my pajamas and learn trigonometry. However, that same obesity will probably block my motivation from sight. That motivation is learning. (Fat < learning.) If I become distressingly lazy (which is... an obesibility), I would get angry, and someone--possibly myself as well--would have ssslap me ssso sssuper hard.

Therefore, to avoid getting slapped, and to avoid hating myself for all eternity because I'm lazier than a three-toed sloth (who only climb out of their trees to pee, which--exchanging 'tree' for 'bed'--could probably be me some days), I hope to improve my totally lame motivational and productivity skills. Maybe I'll complete projects EVERY SINGLE DAY, and the result will be becoming intelligent, organized, and assertive. And maybe I'll use less parentheses.

AND THERE'S MORE! Those are merely amazing bonuses on the side. The subject matter is also incredible--I mentioned some when I spoke on the flexibility. I could learn French, and I could also learn Greek and carry on with Spanish. I could learn to paint, and use this drawing book that I have to learn to draw realistically, with shading and contours and real... stuff... Stuff I can't yet describe, because I haven't read the book yet. Mom has history books--two or more--and there are science textbooks, and math textbooks, and plenty of grammar-type books so that I can learn every single nuance of the English language. (Another point of interest: did you know that the Oxford comma was officially stated to be unnecessary? This is complete rubbish. That comma is as necessary as an epiglottis... WHICH IS IMPORTANT.) I have friends who have materials for AP Language, AP Psychology,*** and Pre-Calculus.

While on the topic of Pre-Calculus, let me lead in to another stupendous reward of being homeschooled: you aren't limited. At all. So much of what I've said already feeds into that one sentence. You aren't limited. In a "regular" school, you have four years and roughly thirty-two classes--less if you take a study hall. As a homeschooler, in my one final year of school, I can take Pre-Calculus... and Calculus. I can take French... and German and Greek and Spanish and Italian. I can study medieval history and specifically Irish history. I can study painting and drawing. To be homeschooled is to be versatile. I can learn at my own pace, whether it be slow or quick.

The last point is, perhaps, the most wonderful. Mom has always said it was part of why she homeschooled us. In "regular" school you learn facts: the surface area of one's lungs is about the size of a tennis court. In "regular" school you learn methods: FOIL. It's not that one can't learn more... but generally one doesn't. And it's not that those are bad, either! Oh, no. Those are tremendous and useful and lend to increasing the power of the incredible brain God created. But when learning isn't restricted by schedules and classes, there's so much more to be discovered. Creativity, ideas, and imagination: learning to think.

*does this count as ending a sentence in a preposition? I think it seems okay in this situation.
**I can type it up if anyone cares to read it.
*** example of the much-loved Oxford comma. You know why it's so important? "I love to eat bacon, cheese, whipped cream and pickles." IT LOOKS LIKE I ENJOY PICKLES AND WHIPPED CREAM TOGETHER.

P.S. I already discovered your little Facebook link scam. Not that I was tempted by Facebook... but I was certain that it wouldn't actually go to Facebook, so I clicked to see where it would ACTUALLY lead... tricksy little hobbitses. Link